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CUT TIME

AN EDUCATION AT THE FIGHTS

Rotella gives back to boxing some of its old-school, venerable aura.

Natty, cogitative essays on the sweet science, often from the perspective of the small boxing venue.

Boxing, writes Rotella (Good With Their Hands, 2002; English/Boston College), “self-consciously takes form around the impulse to discipline hitting, to govern it with rules, to master it with technique and inure the body to its effect.” This is how one could approach life, he suggests, though he lets that idea sit lightly on the proceedings, a metaphorical tap. Still, there’s the climate of hurt: “In boxing, hurt is what people do to each other, an intimate social act, a pessimistically stripped-to-the-bone rendition of life as it is lived outside the ring.” Here lies the lesson: to get an education in the ring and not die from it. “Mastering the craft means fashioning a style that takes maximum advantage of one’s root capacity for hitting and minimizes the necessity of taking advantage of one’s root capacity for being hit.” Being hit results in being like the fellow whose eye “resembled some kind of meat custard with a black rubber band pulled tight around it,” or—in Rotella’s relaxed evocation of the language of the ring—like the one with “arms flung over his head to create about nine feet of horizontal British heavyweight, when a guy from Baltimore named Hasim Rahman starched him with an overhand right.” When Rotella was teaching in the Lehigh Valley, he had a chance to attend fights on the Pennsylvania mill-town circuit and in the no-flash champ Larry Holmes’s training center in Easton—the kinds of places where the fight game obtrudes into the local culture, pomp and celebrity don’t apply, and the act of boxing—the principle of defense with bad intentions—can be observed in all its expressions, with enough heart and high action to renew your faith in the game.

Rotella gives back to boxing some of its old-school, venerable aura.

Pub Date: Aug. 5, 2003

ISBN: 0-618-14533-8

Page Count: 240

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2003

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WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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CONCUSSION

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading...

A maddening, well-constructed tale of medical discovery and corporate coverup, set in morgues, laboratories, courtrooms, and football fields.

Nigeria-born Bennet Omalu is perhaps an unlikely hero, a medical doctor board-certified in four areas of pathology, “anatomic, clinical, forensic, and neuropathology,” and a well-rounded specialist in death. When his boss, celebrity examiner Cyril Wecht (“in the autopsy business, Wecht was a rock star”), got into trouble for various specimens of publicity-hound overreach, Omalu was there to offer patient, stoical support. The student did not surpass the teacher in flashiness, but Omalu was a rock star all his own in studying the brain to determine a cause of death. Laskas’ (Creative Writing/Univ. of Pittsburgh; Hidden America, 2012, etc.) main topic is the horrific injuries wrought to the brains and bodies of football players on the field. Omalu’s study of the unfortunate brain of Pittsburgh Steeler Mike Webster, who died in 2002 at 50 of a supposed heart attack, brought new attention to the trauma of concussion. Laskas trades in sportwriter-ese, all staccato delivery full of tough guyisms and sports clichés: “He had played for fifteen seasons, a warrior’s warrior; he played in more games—two hundred twenty—than any other player in Steelers history. Undersized, tough, a big, burly white guy—a Pittsburgh kind of guy—the heart of the best team in history.” A little of that goes a long way, but Laskas, a Pittsburgher who first wrote of Omalu and his studies in a story in GQ, does sturdy work in keeping up with a grim story that the NFL most definitely did not want to see aired—not in Omalu’s professional publications in medical journals, nor, reportedly, on the big screen in the Will Smith vehicle based on this book.

Effectively sobering. Suffice it to say that Pop Warner parents will want to armor their kids from head to toe upon reading it.

Pub Date: Nov. 24, 2015

ISBN: 978-0-8129-8757-7

Page Count: 288

Publisher: Random House

Review Posted Online: Sept. 14, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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