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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... "
THE DRAMATIC WORKS OF WILLIAM SHAKESPEARE; ILLISTRATED: EMBRACING A LIFE OF ... - Page 306
1851
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Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and ...

Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies - Arts européens - 2004 - 306 pages
...gaze when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,...
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Rhetoric and Renaissance Culture

Heinrich F. Plett - Literary Criticism - 2004 - 581 pages
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Literary Wittgenstein

John Gibson, John Gibson, Dr, Wolfgang Huemer - Philosophy - 2004 - 356 pages
...struck by the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,...
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The Great Comedies and Tragedies

William Shakespeare - Drama - 2005 - 896 pages
...night. You are welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant...conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms...
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Year of the Golden Monkey

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Shakespeare in Japan

Tetsuo Kishi - Literary Criticism - 2005 - 166 pages
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,...
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Aeschylus: Agamemnon

Barbara Goward - Fiction - 2005 - 158 pages
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Elizabethan Popular Theatre: Plays in Performance

Michael Hattaway - Literary Criticism - 2004 - 234 pages
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms...
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Shakespeare's Use of the Arts of Language

Sister Miriam Joseph - Language Arts & Disciplines - 2005 - 423 pages
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