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" O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... "
The Dramatic Works of William Shakspeare: King Lear. Romeo and Juliet ... - Page 306
by William Shakespeare - 1851 - 38 pages
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Theater and Entertainment

Kathy Elgin - England - 2005 - 36 pages
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went...
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Messages: Free Expression, Media and the West from Gutenberg to Google

Brian Winston - Social Science - 2005 - 430 pages
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Separate Theaters: Bethlem ("Bedlam") Hospital and the Shakespearean Stage

Kenneth S. Jackson - English drama - 2005 - 324 pages
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Trauma and Ethics in the Novels of Graham Swift: No Short-cuts to Salvation

Stef Craps - Literary Criticism - 2005 - 252 pages
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Culture and Values: A Survey of the Humanities, Volume 2

Lawrence Cunningham, Lawrence S. Cunningham, John J. Reich - Art - 2005 - 580 pages
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Acting in Shakespeare

Robert Cohen - Acting - 2005 - 312 pages
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Cahiers de littérature française: 1

Sophie Basch, Alberto Castoldi, Mariolina Bertini, Guy Ducrey, Collectif - 2005 - 144 pages
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The Mind According to Shakespeare: Psychoanalysis in the Bard's Writing

Marvin Bennet Krims - Literary Criticism - 2006 - 240 pages
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The Man of Genius

Hermann Turck - Psychology - 2006 - 488 pages
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