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" Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function... "
The Dramatic Works of William Shakespeare: With Explanatory Notes. To which ... - Page 1020
by William Shakespeare, Samuel Ayscough - 1807
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Medicine, Mythology and Spirituality: Recollecting the Past and Willing the ...

Ralph Twentyman - Body, Mind & Spirit - 2004 - 118 pages
...results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Theatre and Entertainment

Kathy Elgin - Amusements - 2005 - 32 pages
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went...
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Rhetoric and Renaissance Culture

Heinrich F. Plett - Literary Criticism - 2004 - 581 pages
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - Philosophy - 2004 - 356 pages
...passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken...forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (3.1.552-62) Hamlet confronts here...
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The Literary Wittgenstein

John Gibson, John Gibson, Dr, Wolfgang Huemer - Philosophy - 2004 - 356 pages
...mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,...
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Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and ...

Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies - Arts européens - 2004 - 306 pages
...of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,...
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The Great Comedies and Tragedies

William Shakespeare - Drama - 2005 - 896 pages
...take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Elizabethan Popular Theatre: Plays in Performance

Michael Hattaway - Literary Criticism - 2004 - 234 pages
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Theater and Entertainment

Kathy Elgin - Juvenile Nonfiction - 2005 - 32 pages
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went...
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Separate Theaters: Bethlem ("Bedlam") Hospital and the Shakespearean Stage

Kenneth S. Jackson - Drama - 2005 - 309 pages
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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