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" Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function... "
The Dramatic Works of William Shakespeare: With Explanatory Notes. To which ... - Page 1020
by William Shakespeare, Samuel Ayscough - 1807
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The Wisdom of Shakespeare

William Shakespeare - Political Science - 2002 - 228 pages
...pitiful ambition in the fool that uses it. Hamlet— Hamlet III.ii O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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The Arden Shakespeare Complete Works

William Shakespeare - Drama - 1998 - 1344 pages
...Guildenstern. HAMLET Ay, so, God buy to you. Now I am alone. 550 O what a rogue and peasant slave am I! Is it not monstrous that this player here, But...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, 555 A broken voice, and his whole function suiting...
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Greek and Roman Actors: Aspects of an Ancient Profession

Pat Easterling, Edith Hall, Lecturer Department of Classics Edith Hall - History - 2002 - 510 pages
...passion, Could force his soul so to his whole conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's aspect, A broken...forms to his conceit? And all for nothing? For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet goes on to ask what this...
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Shame in Shakespeare

Ewan Fernie - Literary Criticism - 2002 - 274 pages
...for a fiction while he can 'say nothing' for a murdered king, but he needs action, not pity or words. 'Is it not monstrous that this player here, / But...passion, / Could force his soul so to his own conceit' (2.2.545-7) reads first as a disgusted condemnation of the kind of synthetic ecstasy he requires to...
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The Dubious Spectacle: Extremities of Theater, 1976-2000

Herbert Blau - Performing Arts - 2002 - 347 pages
...Karen. Julie is staring over Peter's arm as he holds Denise: JUL: Your sister's dead, Laertes. MAR: Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . JUL: There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream....
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Amleto

William Shakespeare - Drama - 1995 - 320 pages
...you. Exeunt Rosentrantz and GuHJenstern Now I ara alone.. O, what a rogue and peasant slave am 1 1 Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 550 That from her working all his visage wanned, , Tears in bis eyes, distraction in his aspect, A...
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Power Plays: Shakespeare's Lessons in Leadership and Management

John O. Whitney, Tina Packer - Business & Economics - 2002 - 320 pages
...all have cause. Don't be an auditor. Be an actor. 165 7 Lend Me Your Ears The Art of ' Perj nation Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit . . . Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - Language Arts & Disciplines - 2003 - 313 pages
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...[own] conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function...
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Looking for Spinoza: Joy, Sorrow, and the Feeling Brain

Antonio R. Damasio - Philosophy - 2003 - 355 pages
...wonder at the player's capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with...
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Dreams of the Burning Child: Sacrificial Sons and the Father's Witness

David Lee Miller - Literary Criticism - 2003 - 272 pages
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting...
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