| Michele Marrapodi - Drama - 2004 - 292 pages
...the peculiar enchanted and erotic harmony of sea and oars in Shakespeare: 'the oars were silver, / Which to the tune of flutes kept stroke, and made...beat to follow faster, / As amorous of their strokes' (2.2.204-7). The complete series of intermedi, in fact, anticipate and elaborate Shakespeare in celebrating... | |
| Roland Mushat Frye - Drama - 2005 - 298 pages
...gold, Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made...did lie In her pavilion — cloth of gold, of tissue — O'cr-picturing that Venus where we see The fancy outwork nature. (2.2.191-201) The words convey... | |
| Stephen Weir - History - 2005 - 264 pages
...gold, purple the sails, and so perfumed, that the winds were love-sick with them, the oars were silver, which to the tune of flutes kept stroke, and made...strokes. For her own person, it beggar'd all description. — Shakespeare, Antony and Cleopatra MARC ANTONY Isn't it odd that Cleopatra, the last of the Ptolemies,... | |
| T. S. Eliot - Literary Criticism - 2006 - 300 pages
...gold; Purple the sails, and so perfumed that The winds were lovesick with them; the oars were silver. Which to the tune of flutes kept stroke, and made...As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion, cloth-of-gold of tissue, O'erpicturing that... | |
| Lawrence Rainey - Literary Criticism - 2005 - 1217 pages
...Speak. "What are you thinking of? What thinking? What? "I never know what you are thinking. Think." Which to the tune of flutes kept stroke, and made...As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion, cloth-of-gold of tissue, O'erpicturing that... | |
| Andrew Hadfield - Literary Criticism - 2005 - 392 pages
...gold; Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made...As amorous of their strokes. For her own person, It beggared all description: she did lie In her pavilion, cloth-of-gold of tissue, O'erpicturing that... | |
| Frederick William Sternfeld - Literary Criticism - 2005 - 392 pages
...; Purple the sails, and so perfumed that The winds were lovesick with them ; the oars were silver, Which to the tune of flutes kept stroke, and made...beat to follow faster, As amorous of their strokes. . . . There is a similar musical economy in Shakespeare's treatment 1 Kittredge SP 880 and 943 ; NS... | |
| Colin Butler - Drama - 2005 - 217 pages
...gold, Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made...beat to follow faster, As amorous of their strokes. . . . (2.2) Enobarbus's sumptuous tableau vivant is an accumulation of color, sensuousness, wealth,... | |
| Timothy Morton - Literary Criticism - 2006 - 304 pages
...gold; Purple the sails, and so perfumed that The winds were love-sick with them; the oars were silver, Which to the tune of flutes kept stroke, and made...beggar'd all description. She did lie In her pavilion, cloth-of-gold, of tissue, O'erpicturing that Venus where we see The fancy out-work nature. On each... | |
| Marvin Rosenberg, Mary Rosenberg - Drama - 2006 - 628 pages
...sails!— the royal color — and so perfumed that The winds were lovesick with them! the oars were silver! Which to the tune of flutes kept stroke, and made...faster, As amorous of their strokes! For her own person — Enobarbus has earned an audience laugh here, by failing to find words enough, and letting his audience... | |
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