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" Burn'd on the water : the poop was beaten gold ; Purple the sails, and so perfumed, that The winds were love-sick with them : the oars were silver ; Which to the tune of flutes kept stroke, and made The water, which they beat, to follow faster, As amorous... "
Tremaine: Or, The Man of Refinement - Page 149
by Robert Plumer Ward - 1825
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The Plays, Volume 8

William Shakespeare - 1824
...water, which they beat, to follow faster, As amorous of their strokes. For her own person, It beggar 'd all description : she did lie In her pavilion (cloth of gold, of tissue,) O'er-picturing that Venus, where we see The fancy out-work nature : on each side her, Stood pretty...
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The Dramatic Works of William Shakespeare: Accurately Printed from ..., Volume 2

William Shakespeare - 1824
...water, which they beat, to follow faster, As amorous of their strokes. For her own person. It bcggar'd all description : she did lie In her pavilion (cloth of gold, of tissue,) O'er-picturing that Venus, where we see The fancy out-work nature : on each side her, Stood pretty...
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Tremaine: Or, The Man of Refinement, Volume 1

Robert Plumer Ward - 1825
...Purple the sails, and so perfumed that ' The winds grew love-sick with them. The oars were silvw, ' Which to the tune of flutes kept stroke, and made...lie ' In her pavilion (cloth of gold, of tissue), ' O'erpicturiag th»t Veaus, where we see ' The fancy outwork nature : on each side her ' Stood pretty...
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A New Universal Biography: First series, from the creation to the birth of ...

John Platts - Biography - 1825
...with them ; the oars were «ilrer. Which to the tune of flute* kept stroke • For her own p«r*oa, It beggar'd all description ; she did lie In her pavilion, cloth of gold, of tissue— — — On each side her » Stood pretty dimpled boys, like smiling Cupids, With divers colour'd fans,...
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The Dramatic Works of William Shakspeare: With Glossarial Notes, a Sketch of ...

William Shakespeare - 1825 - 908 pages
...water, which they ticat, to follow faster, As amorous of their strokes. For her own person, It hrcioir'd all description : she did lie In her pavilion, (cloth of gold, of tissue,) O'erpicturing that Venus, where we see. The fancy out-work nature : on each side her, Stood pretty...
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The Dramatic Works of William Shakespeare: Timon of Athens. Coriolanus ...

William Shakespeare - 1826
...Burn'd on the water: the poop was beaten gold; Purple the sails, and so perfumed, that The winds were lovesick with them: the oars were silver ; Which to...did lie In her pavilion (cloth of gold, of tissue), O'er-picturing that Venus, where we see, The fancy outwork nature : on each side her, Stood pretty...
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The dramatic works of William Shakspeare, with notes ..., Part 23, Volume 8

William Shakespeare - 1826
...Burn'd on the water: the poop was beaten gold; "Purple the sails, and so perfumed, that The winds were lovesick with them : the oars were silver ; Which...lie In her pavilion •(cloth of gold, of tissue), O'er-picturing that Venus, where we see, The fancy outwork nature : on each side her, Stood pretty...
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The plays of William Shakspeare, pr. from the text by G. Steevens ..., Volume 6

William Shakespeare - 1826
...follow faster, i be square to her.] \. e. if report quadrates with her, or suits •with her merits. As amorous of their strokes. For her own person, It...did lie In her pavilion, (cloth of gold, of tissue,) O'er-picturing that Venus, where we see, The fancy out-work nature: on each side her, Stood pretty...
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The Beauties of Shakspeare Regularly Selected from Each Play. With a General ...

William Shakespeare - 1827 - 345 pages
...Burn'd on the water: the poop was beaten gold; Purple the sails, and so perfumed, that The winds were love-sick with them : the oars were silver; / Which...did lie In her pavilion, (cloth of gold, of tissue,) O'er picturing that Venus, where we see, The fancy out-work nature: on each side her Stood pretty dimpled...
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The London encyclopaedia, or, Universal dictionary of ..., Part 2, Volume 5

Thomas Curtis (of Grove house sch, Islington)
...water, which they beat, to follow faster, As amorous of their stroke*. For her own penon. It beggared all description , she did lie. In her pavilion (cloth of gold, of tissue), O'er-picturing that Veous, where we see The faucy out work nature : on each side her Stood pretty dimpled...
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