 | John Hall Hindmarsh - 1845 - 464 pages
...wr'etch and peasant slaVe am I' ! Is it not monstrous, that this player he're, (B'ut in a fTction, in a dr'eam of p'assion,) Could force his soul/ so'...conce'it, That, from her w'orking, all his vi'sage warm'ed, Tea'rs in his ey'es, distra'ction in his asp'ect, A broken voTce, and his whole fu'nction/... | |
 | C. P. Bronson - Elocution - 1845 - 334 pages
...censure: they blame, or praise, but ns one leads the other. 0 what a rogue and peasant slave am I! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, 1 'mild force his soul so to bis own conceit. That from her working, all his visage warm'd. Tears in... | |
 | C. P. Bronson - Elocution - 1845 - 390 pages
...the other. O v\hal a rogue and peasant slave am I ! Is It not monstrous, that this player here, Bui In a fiction, in a dream of passion, Could force his soul so to his own conceit, TII t from her working, all his visage warm'd, Tuars in his eyes, distraction In hts aspect, A broken... | |
 | C. P. Bronson - Anatomy - 1845 - 330 pages
...DUTY. О what a rogue and peasant slave am I ; Is it not monstrous, that this player here, Bui in л fiction, in a dream of passion, Could force his soul so to his own counsel, That, from her working, all his visage warmed ; Tears in his eyes, distraction in his aspect,... | |
 | C. P. Bronson - Elocution - 1845 - 396 pages
...what a rogue and peasant slave am I ; Is it not monstrous, that this player here, But in л nftion. in a dream of passion, Could force his soul so to his own counsel, Thai, from her working, all his visage warmed ; Tears in his eijtt, distraction m his aspect,... | |
 | Languages, Modern - 1849 - 490 pages
...über. Camlet felbß fagt unô, »a« ib,n fo enegt fyat; со fft bie 2ßarme, ju ber This player here Could force his soul so to his own conceit, That, from her working all his visage wann'd« Tears in his eyes, distraction ins aspect A broken voice, and his whole function suiting With... | |
 | John Campbell Baron Campbell - Judges - 1846 - 708 pages
...inferior to those of the player in Hamlet, who — " But in a fiction, in a dream of passion, Could form his soul so to his own conceit, That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - 1847 - 872 pages
...GUILDENSTERN. Ham. Ay, so, good bye you. — Now I am alone. O, what a rogue and peasant slave am I ! me; bear wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Dennis Kezar Assistant Professor of English Vanderbilt University - Literary Criticism - 2001 - 282 pages
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting... | |
 | William Shakespeare - Drama - 2001 - 304 pages
...GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
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I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... 
