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a patriot! Had he lived, perhaps Ire"land had not now been a land of He"lots."

"What did you mean," asked I one day, "by that line in Beppo,'—

'Some play the devil, and then write a novel'?"

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"I alluded," replied he, to a novel "that had some fame in consequence of "its being considered a history of my "life and adventures, character and exploits, mixed up with innumerable lies and lampoons upon others. Madame

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de Staël asked me if the picture was "like me, and the Germans think it is 66 not a caricature. One of my foreign "biographers has tacked name, place, and

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circumstance to the Florence fable, and

gives me a principal instead of a subor"dinate part in a certain tragical history "therein narrated. Unfortunately for my

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biographers, I was never at Florence for

more than a few days in my life; and Fiorabella's beautiful flowers are not so 'quickly plucked or blighted. Hence,

however, it has been alleged that mur"der is my instinct; and to make inno

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cence my victim and my prey, part of 66 my nature. I imagine that this dark "hint took its origin from one of my "Notes in The Giaour,' in which I said

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that the countenance of a person dying

by stabs retained the character of fero

city, or of the particular passion im

printed on it, at the moment of dissolution. A sage reviewer makes this com"ment on my remark: It must have

"been the result of personal observa"tion!'

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But I am made out a very amiable person in that novel! The only thing belonging to me in it, is part of a let"ter; but it is mixed up with much fic"titious and poetical matter.

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Shelley

told me he was offered, by the "bookseller in Bond Street, no small sum "if he would compile the Notes of that "book into a story; but that he declined "the offer.

But if I know

"the authoress, I have seen letters of "hers much better written than any part "of that novel. A lady of my acquaint66 ance told that when that book was

me,

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going to the press, she was threatened "with cutting a prominent figure in it if But the story would only

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"furnish evidence of the unauthenticity of "the nature of the materials, and shew the

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manner and spirit with which the piece "was got up.-Yet I don't know why I "have been led to talk about such non

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sense, which I paid no more attention "to than I have to the continual calum"nies and lies that have been unceasingly "circulated about me, in public prints, "and through anonymous letters. I got "a whole heap of them when I was at "Venice, and at last found out that I had to thank Mr. Sotheby for the greater

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share of them. It was under the waspishness produced by this discovery that "I made him figure also in my 'Beppo'

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"a bustling Botherby,' &c. I always

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thought him the most insufferable of

bores, and the curse of the Hampbell, "as Edgeworth was of his club. There

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was a society formed for the suppression "of Edgeworth, and sending him back "to Ireland;-but I should have left the

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other to his

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Snug coterie and literary lady,'

"and to his

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that Rogers

pretended to take for an old arm-chair, "if he had not made himself an active

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bore, by dunning me with disagreeable

news, and, what was worse, and more

nauseous and indigestible still, with his "criticisms and advice.

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“When Galignani was about to publish

a new edition of my works, he applied to

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