O'er-picturing that Venus, where we see The fancy outwork nature: on each side her Agr. O, rare for Antony! And made a gap in nature. Agr. Rare Egyptian! Eno. Upon her landing, Antony sent to her, Invited her to supper: she replied, It should be better he became her guest; Which she entreated: Our courteous Antony, Whom ne'er the word of "No" woman heard speak, For what his eyes eat only. Agr. Royal wench! She made great Cæsar lay his sword to bed; Eno. I saw her once Hop forty paces through the public street: And having lost her breath, she spoke, and panted, That she did make defect, perfection, And, breathless, power breathe forth. Mec. Now Antony must leave her utterly. Age cannot wither her, nor custom stale Mec. If beauty, wisdom, modesty, can settle A blessed lottery to him. Agr. Let us go. Good Enobarbus, make yourself my guest, Eno. Humbly, sir, I thank you. [Exeunt. SCENE III.-The same. A Room in Cæsar's House. Enter CESAR, ANTONY, OCTAVIA between them, Attendants, and a Soothsayer. Ant. The world, and my great office, will sometimes Divide me from your bosom. Octa. All which time Before the gods my knee shall bow my prayers To them for you. Ant. Good night, sir.-My Octavia, Read not my blemishes in the world's report: I have not kept my square; but that to come Shall all be done by the rule. Good night, dear lady.Octa. Good night, sir. Cas. Good night. [Exeunt CESAR and OCTAVIA. Ant. Now, sirrah! you do wish yourself in Egypt? Sooth. 'Would I had never come from thence, nor you thither! Ant. If you can, your reason? Sooth. I see it in my motion, have it not in my tongue: But yet hie you to Egypt again. Ant. Say to me, Whose fortunes shall rise higher, Cæsar's or mine? Sooth. Cæsar's. Therefore, O Antony, stay not by his side: Thy dæmon (that thy spirit which keeps thee) is Where Cæsar's is not; but near him thy angel Ant. Speak this no more. Sooth. To none but thee; no more, but when to thee. If thou dost play with him at any game, Thou art sure to lose; and, of that natural luck, Is all afraid to govern thee near him; But, he away, 't is noble. Get thee gone: Ant. Say to Ventidius I would speak with him :[Exit Soothsayer. He shall to Parthia.-Be it art, or hap, He hath spoken true: The very dice obey him; And in our sports my better cunning faints Under his chance: if we draw lots, he speeds: His cocks do win the battle still of mine, When it is all to nought; and his quails ever Beat mine, inhoop'd, at odds. I will to Egypt: And though I make this marriage for my peace, Enter VENTIDIUS. I' the east my pleasure lies :-O, come, Ventidius, [Exeunt. SCENE IV.-The same. A Street. Enter LEPIDUS, MECENAS, and AGRIPPA. Lep. Trouble yourselves no further: pray you, hasten Your generals after. Agr. Sir, Mark Antony Will e'en but kiss Octavia, and we 'll follow. Lep. Till I shall see you in your soldier's dress, Mec. Before you, Lepidus. Lep. Your way is shorter, My purposes do draw me much about; You'll win two days upon me. Mec., Agr. Lep. Farewell. Sir, good success! [Exeunt. SCENE V.-Alexandria. A Room in the Palace. Enter CLEOPATRA, CHARMIAN, IRAs, and ALEXAS. Cleo. Give me some music; music, moody food Of us that trade in love. Attend. The music, ho! Enter MARDIAN. Cleo. Let it alone; let us to billiards: Come, Charmian. Char. My arm is sore, best play with Mardian. Cleo. As well a woman with an eunuch play'd As with a woman :-Come, you'll play with me, sir? Mar. As well as I can, madam. Cleo. And when good will is show'd, though 't come too short, The actor may plead pardon. I'll none now : a At the Mount. This no doubt means at Mount Misenum. Give me mine angle,—we 'll to the river: there, I'll think them every one an Antony, And say, Ah, ha! you 're caught. Char. 'T was merry when You wager'd on your angling; when your diver Cleo. Enter a Messenger. Ram thou thy fruitful tidings in mine ears, Mess. Cleo. Antony's dead? Madam, madam,— If thou say so, villain, thou kill'st thy mistress: If thou so yield him, there is gold, and here Have lipp'd, and trembled kissing. Mess. First, madam, he 's well. Cleo. Why, there's more gold. But, sirrah, mark; we use To say the dead are well: bring it to that, Mess. Good madam, hear me. Cleo. Well, go to, I will; But there's no goodness in thy face, if Antony |