And shook a shake so drear of head, The devil's tattoo with curious heat; And though sometimes, each dreary pause between, Her man-subduing voice applied, Yet still he kept his sad and alter'd mien, While each gulp'd oath and curse seem'd bursting to be said. Thy numbers, Armament, to nought were fix'd, Sad proof of thy distressful state; Of differing themes the veering song was mix'd, With eyes up-turn'd, as one amaz'd, (A place by distance made more sweet) Through courts and camps the better measures stole, Round an awful calm diffusing, Love of peace, and letter'd musing, Their useful murmurs plied away. But oh! how finished was the happy tone, When brave San Miguel, Spaniard good and true, (His No! to all the monarchs flung, His face on fire, yet laughing too) Read that inspiring Note, with which the Cortes rung! The freeman's truth, to freemen only known! Peeping their prison-bars between ; And courts leap'd up, and seiz'd their hats for fear. Last came Greece's crowning trial: She, by painful steps advancing, Had first to foreign lands her pray'rs address'd; For all their mighty pomp and prancing; As if he knew no longer what to say, Shook heaps of powder from his head and brains. O Freedom, self-defended maid, You've shewn us what your will can do, Arise, as in that elder time, Thy humblest friends could more prevail, O bid their vain endeavours cease; And clip the tails that kings think great. LONDON: PRINTED BY C, H. REYNELL, BROAD STREET, GOLDEN SQUARE. |