Four Restoration Marriage Plays

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Oxford University Press, 1998 - Drama - 439 pages
Marriage and its discontents lie at the heart of Restoration comedy. In all four of the great plays gathered here, a married woman confronts her would-be seducer. Each dramatist, however, totally reinterprets the situation. Thomas Otway's The Soldier's Fortune converts adultery into political revenge. Nathaniel Lee's The Princess of Cleves offers a potent and perplexing portrait of a libertine in action at the sixteenth-century French court. John Dryden's Amphitryon, set in ancient Thebes, retells the story in which Jupiter lures the virtuous Alcmena into cuckolding her husband by a stratagem that throws into doubt the very nature of human identity. Thomas Southerne's The Wives' Excuse reinvents, for the new circumstances of the 1690s, the familiar Restoration plot of a wife spurred towards infidelity by her partner's failings. All of the plays have been newly edited and are presented with modernized spelling and punctuation.

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Contents

Acknowledgements
ix
Note on the Texts
l
The Critical Inheritance
lvi
I
2
THE PRINCESS OF CLEVES
89
AMPHITRYON OR THE TWO SOSIAS
102
by John Dryden
172
THE WIVES excuse or CUCKOLDS MAKE THEMSELVES
255
Explanatory Notes
337
Copyright

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About the author (1998)

Otway was probably the best writer of tragedies during the Restoration period. His Venice Preserved (1682) is rivaled only by Dryden's All for Love. As the Royal Shakespeare Company's production so well demonstrated, Venice Preserved is still a dark and passionate play. The love versus honor conflict echoes the heroic drama, but Jaffier's vacillation between the demands of a friend and a wife reflects the somberness of a world in chaos, a Jacobean tragic theme. Otway's The Orphan (1680) set the fashion for a serious play based on pathos, if not actual tears. Otway had an unrequited passion for Mrs. Elizabeth Barry, the actress who appeared in most of his dramas. Penniless at the end of his life, he died while in a London tavern

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