Sluic'd out his innocent foul through ftreams of blood: Which blood, like facrificing Abel's, cries, K. RICH. How high a pitch his resolution foars!— Thomas of Norfolk, what fay'ft thou to this? NOR. O, let my fovereign turn away his face, Till I have told this flander of his blood,2 K. RICH. Mowbray, impartial are our eyes, and ears: Were he my brother, nay, my kingdom's heir, NOR. Then, Bolingbroke, as low as to thy heart, 2 --this flander of his blood,] i. e. this reproach to his ancestry. STEEVENS. 3 my Scepter's awe ] The reverence due to my scepter. JOHNSON. Since laft I went to France to fetch his queen : Now fwallow down that lie.- -For Glofter's death, I flew him not; but to my own disgrace, Even in the beft blood chamber'd in his bofom: Your highness to affign our trial day. K. RICH. Wrath-kindled gentlemen, be rul'd by me; Let's purge this choler without letting blood: 4 This we prefcribe, though no physician; &c.] I must make one remark in general on the rhymes throughout this whole play; they are so much inferior to the rest of the writing, that they appear to me of a different hand. What confirms this, is, that the context does every where exactly (and frequently much better) connect, without the inferted rhymes, except in a very few places; and just there too, the rhyming verfes are of a much better taste than all the others, which rather ftrengthens my conjecture. POPE. " This obfervation of Mr. Pope's, (fays Mr. Edwards,) hap Forget, forgive; conclude, and be agreed; GAUNT. To be a make-peace fhall become my age: Throw down, my fon, the duke of Norfolk's gage. K. RICH. And, Norfolk, throw down his. GAUNT When, Harry ?5 when? Obedience bids, I fhould not bid again. K. RICH. Norfolk, throw down; we bid; there is no boot." NOR. Myfelf I throw, dread fovereign, at thy foot: My life thou fhalt command, but not my fhame: The one my duty owes; but my fair name, pens to be very unluckily placed here, because the context, without the inferted rhymes, will not connect at all. Read this paffage as it would ftand corrected by this rule, and we shall find, when the rhyming part of the dialogue is left out, King Richard begins with diffuading them from the duel, and, in the very next fentence, appoints the time and place of their combat." Mr. Edwards's cenfure is rather hafty; for in the note, to which it refers, it is allowed that some rhymes must be retained to make out the connection. STEEVENS. When, Harry?] This obfolete exclamation of impatience, is likewife found in Heywood's Silver Age, 1613: Fly into Affrick; from the mountains there, "Chufe me two venomous ferpents: theu fhalt know them : "By their fell poison and their fierce aspect. "When, Iris? "Iris. I am gone." Again, in Look about you, 1600 : 66 I'll cut off thy legs, "If thou delay thy duty. When, proud John?"? STEEVENS. 6 no boot.] That is, no advantage, no ufe, in delay, or refufal. JOHNSON. (Despite of death, that lives upon my grave,)7 K. RICH. Rage must be withstood: Give me his gage :-Lions make leopards tame. NOR. Yea, but not change their spots : take but my fhame, And I refign my gage. My dear dear lord, 7 my fair name, &c.] That is, my name that lives on my grave, in defpight of death. This eafy paffage most of the editors feem to have mistaken. JOHNSON. 8 and baffled here;] Baffled in this place means treated with the greatest ignominy imaginable. So, Holinfhed, Vol. III. p. 827, and 1218, or annis 1513, and 1570, explains it: "Bafulling, fays he, is a great disgrace among the Scots, and it is ufed when a man is openlie perjured, and then they make of him an image painted, reverfed, with his heels upward, with his name, wondering, crieing, and blowing out of him with horns." Spenfer's Fairy Queen, B. V. c. iii. ft. 37; and B. VI. c. vii. st. 27, has the word in the fame fignification. TOLLET. The fame expreffion occurs in Twelfth-Night, fc. ult: "Alas, poor fool! how have they baffled thee?" Again, in King Henry IV. P. I. A&t. I. fc. ii : 66 an I do not, call me villain, and baffle me." Again, in The London Prodigal, 1605: “ chil be alaffelled up and down the town, for a messel;" i. e. for a beggar, or rather a leper. STEEVENS. 9 but not change their spots:] The old copies have-his fpots. Corrected by Mr. Pope. MALONE. Mine honour is my life; both grow in one; K. RICH. Coufin, throw down your gage; begin. do you BOLING. O, God defend my foul from fuch foul fin! Shall I feem creft-fallen in my father's fight? mand: Which fince we cannot do to make you friends, with pale beggar-fear-] This is the reading of one of the oldest quartos, and the folio. The quartos 1608 and 1615, read-beggar-face; i. e. (as Dr. Warburton obferves,) with a face of fupplication. STEEVENS. 2 The flavish motive-] Motive, for inftrument. Rather that which fear puts in motion. atone you,] i. e. reconcile you. WARBURTON. JOHNSON. So, in Cymbeline: "I was glad I did atone my countryman and you." STEEVENS. Juftice defign-] Thus the old copies. Mr. Pope reads |