An Actor Prepares, Volume 1This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself. |
From inside the book
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Page 51
... imagination . The play , the parts in it , are the invention of the author's imagination , a whole series of ifs and given circumstances thought up by him . There is no such thing as actuality on the stage . Art is a product of the ...
... imagination . The play , the parts in it , are the invention of the author's imagination , a whole series of ifs and given circumstances thought up by him . There is no such thing as actuality on the stage . Art is a product of the ...
Page 53
... imagination leads the actor . " Our lesson was interrupted at this point by an unexpected call from a famous foreign tragic actor . He told us all about his triumphs , and after he left the Director said with a smile : " Of course he ...
... imagination leads the actor . " Our lesson was interrupted at this point by an unexpected call from a famous foreign tragic actor . He told us all about his triumphs , and after he left the Director said with a smile : " Of course he ...
Page 66
... imagination in freshening up and refurbishing something the actor has already prepared and used . He showed us how to introduce a fresh supposition into our exercise with the madman behind the door which entirely changed its orientation ...
... imagination in freshening up and refurbishing something the actor has already prepared and used . He showed us how to introduce a fresh supposition into our exercise with the madman behind the door which entirely changed its orientation ...
Common terms and phrases
able acting action activity actor answer appear artist asked attention become began begin believe body carry circumstances conscious continued course create creative direct Director effect effort elements emotions everything exercise experience explained expression external eyes face feelings felt forces give given Grisha hand happened human imagination important inner interest kind lesson light living look material means mechanical memory method mind moments mood move muscles nature necessary never object once Paul performance person physical play possible prepared produce question reason remember result role scene seemed sensations sense soul stage subconscious suggested Suppose tell theatre things thought tion Tortsov tried true truth turn understand units Vanya whole wish