The Plays and Poems of William Shakspeare, with the Corrections and Illustrations of Various Commentators: Comprehending a Life of the Poet, and an Enlarged History of the Stage, Volume 13 |
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Page 2
The king from whom the play takes its title began his reign , according to Holinshed , in the 19th year of the reign of Augustus Cæsar ; and the play commences in or about the twenty - fourth year of Cymbeline's reign , which was the ...
The king from whom the play takes its title began his reign , according to Holinshed , in the 19th year of the reign of Augustus Cæsar ; and the play commences in or about the twenty - fourth year of Cymbeline's reign , which was the ...
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... King and his whole court completely " naked , save that she had a karcher of sylke before hyr members . " - The whole work is illustrated with wooden cuts representing every scene throughout the narrative .
... King and his whole court completely " naked , save that she had a karcher of sylke before hyr members . " - The whole work is illustrated with wooden cuts representing every scene throughout the narrative .
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CYMBELINE , King of Britain . CLOTEN , Son to the Queen by a former Husband . LEONATUS POSTHUMUS , a Gentleman , Husband to Imogen . BELARIUS , a banished Lord , disguised under the Name of Morgan . GUIDERIUS , ARVIRAGUS , Sons to ...
CYMBELINE , King of Britain . CLOTEN , Son to the Queen by a former Husband . LEONATUS POSTHUMUS , a Gentleman , Husband to Imogen . BELARIUS , a banished Lord , disguised under the Name of Morgan . GUIDERIUS , ARVIRAGUS , Sons to ...
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The thought is this ; we are not now ( as we were wont ) influenced by the weather , but by the king's looks . " We no more obey the heavens [ the sky ] than our courtiers " obey the heavens [ God ] . By which it appears that the ...
The thought is this ; we are not now ( as we were wont ) influenced by the weather , but by the king's looks . " We no more obey the heavens [ the sky ] than our courtiers " obey the heavens [ God ] . By which it appears that the ...
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Again , in King Lear , Act IV . Sc . II . : 66 Were it my fitness " To let these hands obey my blood . " In King Henry VIII . Act III . Sc . IV . is the same thought : subject to your countenance , glad , or sorry , " As I saw it ...
Again , in King Lear , Act IV . Sc . II . : 66 Were it my fitness " To let these hands obey my blood . " In King Henry VIII . Act III . Sc . IV . is the same thought : subject to your countenance , glad , or sorry , " As I saw it ...
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answer APEM Apemantus appears Athens believe better blood called comes common correction Cymbeline dead death edition editors emendation Enter Exit expression eyes false fear folio fool fortune give given gods gold hand Hanmer hath hear heart heaven Henry honour Imogen Italy JOHNSON keep kind King lady leave less live look lord MALONE MASON master means Measure metre mind mistress nature never noble observed occurs old copy once passage Perhaps play poet poor POST Posthumus present Queen Roman says SCENE seems seen Senators sense SERV servant Shakspeare speak speech stand STEEVENS suppose sure tell thee thing Thomas thou thou art thought Timon true villain WARBURTON