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Is at last gasp: Return he cannot, nor
Continue where he is: to shift his being 5,
Is to exchange one misery with another;
And every day, that comes, comes to decay
A day's work in him: What shalt thou expect,
To be depender on a thing that leans "?
Who cannot be new built; nor has no friends,

[The Queen drops a box: PISANIO takes it up. So much as but to prop him ?—Thou tak❜st up Thou know'st not what; but take it for thy labour: It is a thing I made, which hath the king

Five times redeem'd from death: I do not know
What is more cordial :-Nay, I pr'ythee, take it;
It is an earnest of a further good

That I mean to thee. Tell thy mistress how
The case stands with her; do't, as from thyself.
Think what a chance thou changest on 7; but think
Thou hast thy mistress still; to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment, such

As thou❜lt desire; and then myself, I chiefly,
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words. [Exit Pisa.]-A sly and con-
stant knave;

S to shift his being,] To change his abode.

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that leans ?]

That inclines towards its fall.

JOHNSON.

JOHNSON.

7 Think what a CHANCE thou CHANGEST on ;] Such is the reading of the old copy, which by succeeding editors has been altered into

And

"Think what a chance thou chancest on-;

"Think what a change thou chancest on―; but unnecessarily. The meaning is : prospect of mending your fortunes you service." STEEVENS.

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"Think with what a fair now change your present

A line in our author's Rape of Lucrece adds some support to the reading-thou chancest on, which is much in Shakspeare's

manner:

"Let there bechance him pitiful mis-chances." MALONE.

Not to be shak'd: the agent for his master;
And the remembrancer of her, to hold

The hand-fast to her lord.-I have given him that,
Which, if he take, shall quite unpeople her
Of liegers for her sweet; and which she, after,
Except she bend her humour, shall be assur'd

Re-enter PISANIO, and Ladies.

To taste of too. So, so ;-well done, well done: The violets, cowslips, and the primroses,

Bear to my closet:-Fare thee well, Pisanio; Think on my words. [Exeunt Queen and Ladies. And shall do 9:

PIS.

But when to my good lord I prove untrue,

I'll choke myself: there's all I'll do for you. [Exit.

SCENE VII.

Another Room in the Same.

Enter IMOGEN.

IMO. A father cruel, and a step-dame false;

A foolish suitor to a wedded lady,

That hath her husband banish'd;-O, that husband! My supreme crown of grief1! and those repeated

8 Of LIEGERS for her sweet ;] A lieger ambassador is one that resides in a foreign court to promote his master's interest.

So, in Measure for Measure:

"Lord Angelo, having affairs to heaven,

"Intends you for his swift embassador,

JOHNSON.

"Where you shall be an everlasting lieger." STEEVENS. 9 And shall do:] Some words, which rendered this sentence less abrupt, and perfected the metre of it, appear to have been omitted in the old copies. Steevens.

I

O, that husband!

My supreme CROWN of grief!] Imogen means to say, that

Vexations of it! Had I been thief-stolen,

As my two brothers, happy! but most miserable
Is the desire that's glorious 2: Blessed be those,
How mean soe'er, that have their honest wills,
Which seasons comfort 3.-Who may this be? Fye!

her separation from her husband is the completion of her distress. So, in King Lear :

"This would have seem'd a period

"To such as love not sorrow; but another,

"To amplify too much, would make much more,
"And top extremity."

Again, in Coriolanus:

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the spire and top of praise."

Again, more appositely, in Troilus and Cressida :

"Make Cressid's name the very crown of falsehood." Again, in The Winter's Tale :

2

The crown and comfort of my life, your favour,

"I do give lost." MALONE.

- but most miserable

Is the desire that's glorious:] Her husband, she says, proves her supreme grief. She had been happy had she been stolen as her brothers were, but now she is miserable, as all those are who have a sense of worth and honour superior to the vulgar, which occasions them infinite vexations from the envious and worthless part of mankind. Had she not so refined a taste as to be content only with the superior merit of Posthumus, but could have taken up with Cloten, she might have escaped these persecutions. This elegance of taste, which always discovers an excellence and chooses it, she calls with great sublimity of expression, desire that's glorious;" which the Oxford editor not understanding, alters to—" The degree that's glorious." WARBurton. Blessed be those,

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How mean soe'er, that have their honest wills,

"The

Which seasons comfort.] The last words are equivocal; but the meaning is this: who are beholden only to the seasons for their support and nourishment; so that, if those be kindly, such have no more to care for, or desire. WARBURTON.

I am willing to comply with any meaning that can be extorted from the present text, rather than change it, yet will propose, but with great diffidence, a slight alteration :

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Bless'd be those,

"How mean soe'er, that have their honest wills,

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With reason's comfort——.”

Enter PISANIO and IACHIMO.

Pis. Madam, a noble gentleman of Rome; Comes from my lord with letters.

Who gratify their innocent wishes with reasonable enjoyments. JOHNSON.

I shall venture at another explanation, which, as the last words are admitted to be equivocal, may be proposed. "To be able to refine on calamity (says she) is the miserable privilege of those who are educated with aspiring thoughts and elegant desires. Blessed are they, however mean their condition, who have the power of gratifying their honest inclination, which circumstance bestows an additional relish on comfort itself.”

"You lack the season of all natures, sleep." Macbeth. Again, in Albumazar, 1615:

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the memory of misfortunes past

"Seasons the welcome." STEEVENS.

In my apprehension, Imogen's sentiment is simply this: "Had I been stolen by thieves in my infancy, (or, as she says in another place, born a neat-herd's daughter,) I had been happy. But instead of that, I am in a high, and, what is called, a glorious station; and most miserable in such a situation! Pregnant with calamity are those desires, which aspire to glory; to splendid titles, or elevation of rank! Happier far are those, how low soever their rank in life, who have it in their power to gratify their virtuous inclinations: a circumstance that gives an additional zest to comfort itself, and renders it something more; or (to borrow our author's words in another place) which keeps comfort always fresh and lasting.

A line in Timon of Athens may perhaps prove the best comment on the former part of this passage:

"O the fierce wretchedness that glory brings!"

In King Henry VIII. also, Anna Bullen utters a sentiment that bears a strong resemblance to that before us:

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I swear, 'tis better

"To dwell with humble livers in content,

"Than to be perk'd up in a glist'ring grief,

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And wear a golden sorrow.'

Of the verb to season, (of which the true explanation was originally given by Mr. Steevens,) so many instances occur as fully to justify this interpretation. It is used in the same metaphorical sense in Daniel's Cleopatra, a tragedy, 1594:

"This that did season all my sour of life-."

Again, in our author's Romeo and Juliet :

Іасн.

Change you, madam ?

The worthy Leonatus is in safety,

And greets your highness dearly. [Presents a letter. Thanks, good sir :

IMO.

You are kindly welcome.

IACH. All of her, that is out of door, most rich!

If she be furnish'd with a mind so rare,

She is alone the Arabian bird; and I

[Aside.

Have lost the wager. Boldness be my friend!
Arm me, audacity, from head to foot!

Or, like the Parthian, I shall flying fight;
Rather, directly fly.

IMO. [Reads.]-He is one of the noblest note, to whose kindnesses I am most infinitely tied. Reflect upon him accordingly, as you value your trustLEONATUS.

"How much salt water thrown away in waste,
"To season love, that of it doth not taste!

Again, in Twelfth-Night:

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All this to season

"A brother's dead love, which she would keep fresh
"And lasting in her sad remembrance." MALOne.

I agree with Steevens that the word seasons, in this place, is used as a verb, but not in his interpretation of the former part of this passage. Imogen's reflection is merely this: "That those are happy who have their honest wills, which gives a relish to comfort; but that those are miserable who set their affections on objects of superior excellence, which are of course, difficult to obtain." The word honest means plain or humble, and is opposed to glorious. M. MASON.

4 Reflect upon him accordingly, as you value your ́TRUST

LEONATUS.] Were Leonatus writing to his Steward, this style might be proper; but it is so strange a conclusion of a letter to a princess, and a beloved wife, that it cannot be right. I have no doubt therefore that we ought to read :

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as you
value your TRUEST.

“LEONATUS."

M. MASON.

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