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INTRODUCTIONTHEATRE VERSUS DRAMA
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accept action actors Aeschylus appear artist audience become character chorus comedy comes complete convention course create creation critical dead death direct drama dramatist effects elements Elizabethan emotional example experience fact feel figures final give Greek Hamlet hear heart Hedda hero human illustrate important individual inevitably instance intellectual interest irony kind language live Macbeth material matter means mind moral move movement murder nature never particular passion performance person play playwright plot poet poetic poetry possible present produced pure reality reason revealed scene seems sense Shakespeare Shaw simply situation social society speak speech spirit stage standards story suggested symbols tell Tesman theatre theatrical things thought tion tragedy tragic true universe values wants whole women writing