An Actor PreparesStanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well. |
From inside the book
Results 1-5 of 58
Page 10
... mind : " Now I'll be stuck ! " Whereupon I was seized with a panic , and stopped speaking . I do not know what guided me back to an auto- matic rendering of my part ; but once more it saved me . I had only one thought in my mind , to ...
... mind : " Now I'll be stuck ! " Whereupon I was seized with a panic , and stopped speaking . I do not know what guided me back to an auto- matic rendering of my part ; but once more it saved me . I had only one thought in my mind , to ...
Page 30
... mind . Your mind is stored full of such things , ready for any occasion in life . Every impression , in some form or another , remains in our memories , and can be used when needed . In such hurried or general descriptions we care very ...
... mind . Your mind is stored full of such things , ready for any occasion in life . Every impression , in some form or another , remains in our memories , and can be used when needed . In such hurried or general descriptions we care very ...
Page 33
... mind , once and for all , did you come here to serve art , and to make sacrifices for its sake , or to exploit your own personal ends ? " However , " Tortsov continued , turning to the rest of us , " it is only in theory that we can ...
... mind , once and for all , did you come here to serve art , and to make sacrifices for its sake , or to exploit your own personal ends ? " However , " Tortsov continued , turning to the rest of us , " it is only in theory that we can ...
Page 37
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Page 39
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Contents
1 | |
13 | |
35 | |
Imagination | 59 |
Concentration of Attention | 79 |
Relaxation of Muscles | 103 |
Units and Objectives | 121 |
Faith and a Sense of Truth | 139 |
Communion | 209 |
Adaptation | 241 |
Inner Motive Forces | 263 |
The Unbroken Line | 271 |
The Inner Creative State | 281 |
The SuperObjective | 293 |
On the Threshold of Subconscious | 303 |
Emotion Memory | 177 |
Other editions - View all
Common terms and phrases
actor adaptations adjustments answer aroused artist asked the Director asked Tortsov attention audience become began believe circle concentrate conscious create curtain Dasha direct elements emotion memory everything excitement exercise exhibitionism experience expression external eyes feelings felt footlights fourth wall give given circumstances Grisha hand happened human Iago imaginary imagination important impression inner creative inspiration Kostya light line of action living look Maria means mechanical acting method mind Molière moments mood muscles nature necessary object Othello ourselves Paul person physical actions play Prana prepared proscenium arch purpose rehearsal remember role rubber stamps scene sensations sense of truth sitting soliloquy Sonya soul spectators spiritual stage stimulus subconscious suddenly suggested super-objective Suppose Tartuffe technique tell tenseness theatre theatrical things thought tion turn uncon Vanya whole wish words