Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
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Page 33
... kind " ; instead of willing something positively he " will not be free " ; essentially therefore he is possessed and ... kind ( remember Shylock's description of Jacob's sheep engaged in " doing of the deed of kind ” ) or in other words ...
... kind " ; instead of willing something positively he " will not be free " ; essentially therefore he is possessed and ... kind ( remember Shylock's description of Jacob's sheep engaged in " doing of the deed of kind ” ) or in other words ...
Page 104
... kind of self resides with you , But an unkind self , that itself will leave To be another's fool . I would be gone : ( 3.2.146-49 ) Kind as kinship or relation in human terms is a common Shake- spearean pun , but here we find an ironic ...
... kind of self resides with you , But an unkind self , that itself will leave To be another's fool . I would be gone : ( 3.2.146-49 ) Kind as kinship or relation in human terms is a common Shake- spearean pun , but here we find an ironic ...
Page 205
... kind of hero that Aristotle had in mind . Woyzeck , on the other hand , is not even a hero of the low mimetic mode , who is supposed to be someone " superior neither to other men nor to his environment . . . one of us . " Woyzeck , with ...
... kind of hero that Aristotle had in mind . Woyzeck , on the other hand , is not even a hero of the low mimetic mode , who is supposed to be someone " superior neither to other men nor to his environment . . . one of us . " Woyzeck , with ...
Contents
Contributors | 9 |
The Rival Economies | 17 |
Jew Moor and the Boundaries | 38 |
Copyright | |
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according action appears attempt become beginning Bertram body Caesar character Christian classical comedy comes complex Coriolanus course Cressida critics cultural death described desire early Elizabethan English essay existence expression face fact father fear feelings figure force Freud give Hamlet hand Hebrew hero human ideal identity individual interpretation Jerusalem kind King language later living London looks male means Merchant mind mother nature never object opening original Othello person play Pleasure Principle plot poet poetic political possible practice present problem question reading refer relation repetition representation represents rhetorical Richard scene seems sense sexual Shakespeare Shylock speak stage suggest symbolic Tamburlaine thing thou tion tragedy tragic translation Troilus true turn University University Press values voice woman Woyzeck writes York young