The Oxford Handbook of Contemporary British and Irish Poetry
OUP Oxford, Sep 26, 2013 - History - 761 pages
The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers. Though the book is not structured to feature chapters on authors thought to be canonical, on the principle that contemporary writers are by definition not yet canonical, the volume contains commentary on many prominent poets, as well as finding space for its contributors' enthusiasms for numerous less familiar figures. It has been organized to be read from cover to cover as an ever deepening exploration of a complex field, to be read in one or more of its five thematically structured sections, or indeed to be read by picking out single chapters or discussions of poets that particularly interest its individual readers.
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aesthetic American anthology Bloodaxe Books Britain British and Irish British Poetry Cambridge Carcanet Press cinema close reading Collected Poems Contemporary British contemporary poetry context creative cultural David Davie Davie’s Denise Dhomhnaill’s English Essays example experience Faber & Faber film Fisher Geoffrey Hill Heaney’s Hill’s human imagination Ireland Irish Poetry J. H. Prynne John landscape language Larkin lines linguistic literary Literature London lyric MacNeice Manchester means modern modernist Movement Muldoon narrative Newcastle upon Tyne Ní Dhomhnaill Oxford University Press Paterson Paul Paul Muldoon Penguin Books Peter Philip Larkin poem’s poet’s poetry’s poets political Postmodern Prince’s Prynne’s question reader Review Riley Riley’s Roy Fisher Salt Publishing Scottish Seamus Heaney Selected Poems sense Sinclair social song speaker suggests T. S. Eliot Tarset things tion tradition trans translation verse voice W. H. Auden women words Zealand