The Cultural Industries in Canada: Problems, Policies and Prospects

Front Cover
Michael Dorland
James Lorimer & Company, 1996 - History - 392 pages
This book examines the state of Canada's cultural industries--book, periodical and newspaper publishing, radio and television broadcasting, sound recording, filmmaking and video production--in the final years of the twentieth century.
Fourteen authors describe the history, structure, markets, technologies and policy framework of each industry. Many of their essays also examine the role that the industries play in delivering Canadian cultural products to Canadian audiences, tracing the profound influence they exercise in the life of the nation.
Offering detailed analysis and statistical profiles, The Cultural Industries in Canada presents a unique portrait of this key sector of the economy.
 

Contents

Rowland Lorimer
3
Tables
12
CanadianControlled Publishers
18
Lon Dubinsky
35
Revenue Circulation and Number of Periodicals
39
Concentration Ratio 198990 to 199394
45
Newspaper Publishing
60
Revenues and Expenses of Periodicals 199394 50
65
8
186
CBC 199394
191
Where Your Television Dollar Goes
197
Private Television and Cable
203
Penetration of Household Equipment as a Percentage
205
NonCanadian Satellite Services
213
Share of Hours of TV Viewing by Station Group
220
Viewing of Canadian Programs on English TV
226

35
66
Number of Daily Papers by Province and Language
72
Average Annual Growth
82
4
95
Revenue from the Sale of Recordings by Musical Category
99
Ownership and Market Shares of Multinational Record
110
5
116
Share of Hours Listeners Aged 12 and Over
123
Profitability of English and French Radio Stations
129
1992 Market Share of Feature Films
147
Domestic and Foreign Share of Distribution Revenues
153
Financial Participation Broadcast Program Development Fund
169
Public Television
178
Canadian Television Economy
181
Cable Television Revenues
232
Net Advertising Volume for Canada
240
Expenditure by Private Canadian TV Broadcasters
246
VCR Penetration of TV Households
261
U S Video SellThrough 198791
267
Convergence and the New Technologies
283
Characteristics of the Classic ThreeSector
288
Copyright and Trade Regimes Governing Print
308
Internet and Copyright Issues
318
Figures
324
The Cultural Industries Policy Apparatus
325
Contributors
366
9
369
Copyright

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About the author (1996)

MICHAEL DORLAND teaches at the School of Journalism and Communications at Carleton University.

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