I cannot ftrike at wretched kernes, whofe arms I fheath again undeeded. There thou should't be :- Seems bruited. Let me find him, fortune! and [Exit. Alarum. Enter Malcolm and Seyward. Sey. This way, my lord :-The caftie's gently render'd: The tyrant's people on both fides do fight; And little is to do. Mal. We have met with foes, That ftrike befide us. Sey. Enter, fir, the castle. Re-enter Macbeth. [Exeunt. Alarum. Mach. Why fhould I play the Roman fool, and die On mine own fword? whilft I fee lives, the gafhes Do better upon them. Enter Macduff. Macd. Turn, hell-hound, turn. Mach. Of all men elfe I have avoided thee: But get thee back; my foul is too much charg'd Macd. I have no words; My voice is in my fword; thou bloodier villain, Than terms can give thee out. Mach. Thou lofeft labour: [Fight. Alarum. As As eafy may'ft thou the intrenchant air * I bear a charmed life, which must not yield Macd. Defpair thy charm; And let the angel, whom thou still haft ferv'd,. Tell thee, Macduff was from his mother's womb Untimely ripp'd. Mach. Accurs'd be that tongue that tells me fo, And live to be the fhew, and gaze o'the time. 3 As eafy may't thou the intrenchant air] That is, air which cannot be cut. JOHNSON. As eafy may' thou the intrenchant air With thy keen fword impress, as make me bleed :] So Milton, P. L. B. 6. "Nor in their liquid texture mortal wound "Receive, no more than can the fluid air." STEEVENS. A1 bear a charmed life,] In the days of chivalry, the champion's arms being ceremonioufly bleffed, each took an oath, that he ufed no charmed weapons. Macbeth, according to the law of arms, or perhaps only in allufion to this cuftom, tells Macduff of the fecurity he had in the prediction of the spirit. To this likewife Pofthumus alludes in Cymbeline, act v. "Could not find death." UPTON. 5 palter with us in a double fenfe ;] That buffle with ambiguous expreflions. JOHNSON, VOL. IV, M m Here Here may you fee the tyrant. To kifs the ground before young Malcolm's feet, I throw my warlike fhield. Lay on, Macduff; "Re-enter fighting, and Macbeth is flain. Retreat and flourish. Enter with Drum and Colours, Malcolm, Old Seyward, Roffe, Thanes, and Soldiers. Mal. I would the friends we mifs, were fafe arriv'd. Sey. Some must go off: and yet, by these I fee, So great a day as this is cheaply bought. Mal. Macduff is miffing, and your noble fon. Roffe. Your fon, my lord, has paid a foldier's debt: He only liv'd but 'till he was a man ; The which no fooner had his prowess confirm'd, Sey. Then he is dead? Roffe. Ay, and brought off the field. Your caufe Muft not be measur'd by his worth, for then Sey. Had he his hurts before? 6 Re-enter] This ftage-direction is taken from the folio, and proves, that the players were not even skilful enough to prevent impropriety in thofe circumftances, which fell immediately under their own care. Macbeth is here killed on the stage, and a moment after Macduff enters, as from another place, with his head on a fpear. STEEVENS. Sey. Sey. Why then, God's foldier be he! Mal. He's worth more forrow, And that I'll spend for him. Sey. He's worth no more; They fay, he parted well, and paid his score. Enter Macduff with Macbeth's head. Macd. Hail, King! for fo thou art. Behold, where stands 8 The ufurper's curfed head. The time is free: All. Hail, King of Scotland! ↑ Had I as many fons as Í have háirš, [Flourish. This incident is thus related from Henry of Huntingdon by Camden in his Remains, from which our authour probably copied it. When Seyward, the martial earl of Northumberland, underflood that his fon, whom he had sent in service against the Scotchmen, was flain, he demanded whether his wounds were in the fore part or hinder part of his body. When it was answered, in the fore part, he replied, "I am right glad; neither wish I any "other death to me or mine." JOHNSON. Whether this is a metaphorical expreffion, or only a blunder of the prefs, I cannot determine. Mr. Rowe first made the alteration, which has been continued by fucceeding editors who read peers. The following paffage from Ben. Jonfon's Entertainment of the Queen and Prince at Althorpe, may countenance the old reading, which I have inferted in the text: "Queen, prince, duke and earls, "Counteffes, ye courtly pearls, &c." STEEVENS. Mal Mal. We fhall not spend a large expence of time, Before we reckon with your feveral loves, And make us even with you. My Thanes and kinf men, Henceforth be Earls, the firft that ever Scotland Of this dead butcher, and his fiend-like queen, [Flourish. Exeunt. IT may be worth while to remark, that Milton, who left behind him a lift of no less than CII. dramatic fubjects, had fixed on the ftory of this play among the reft. His intention was to have begun with the arrival of Malcolm at Macduff's caftle." The matter of Duncan (fays he) my be expreffed by the appearing "of his ghoft." It fhould feem from this last memorandum, that Milton difliked the licence that his predeceffor had taken in com prehending a history of fuch length in the fhort compass of a play, and would have new-written the whole on the plan of the ancient drama. He could not furely have indulged fo vain a hope, as that of excelling Shakespeare in the Tragedy of Macbeth. STEEVENS. MACBETH was certainly one of Shakespeare's lateft productions, and it might pofiibly have been fuggefted to him by a little performance on the fame fubject at Oxford, before king James, 1605. I will tranfcribe my notice of it from Wake's Rex Platonicus:Fabulæ anfam dedit antiqua de Regiâ profapiâ hi"ftoriola apud Scoto-Britannos celebrata, quæ narrat tres olim "Sibyllas occurriffe duobus Scotia proceribus, Macbetho & Banchoni, & illum prædixiffe Regem futurum, fed Regem "nullum geniturum; hunc Regem non futurum, fed Regis ge"niturum multos. Vaticinii varitatem rerum eventus compro*bavit Banchonis enim è ftirpe Potentiffimus Jacobus oriundus." p. 29. FARMER. |