OthelloAssociated University Presse, 2012 - Drama Critics have praised either "Hamlet" or "King Lear" as the greatest of Shakespeare's "mature" tragendies. Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not "Othello"? This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. |
From inside the book
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Page x
... Ralph Richardson Iago : Laurence Olivier Director : Tyrone Guthrie Donald Wolfit Stratford ( 1930 ) Old Vic ( 1932 ) Arts Theatre St James's Old Vic Old Vic Kingsway ( 1940 ) Scala ( 1944 ) Date 1942 , 1947 1943 1947 Actor ( s )
... Ralph Richardson Iago : Laurence Olivier Director : Tyrone Guthrie Donald Wolfit Stratford ( 1930 ) Old Vic ( 1932 ) Arts Theatre St James's Old Vic Old Vic Kingsway ( 1940 ) Scala ( 1944 ) Date 1942 , 1947 1943 1947 Actor ( s )
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... Olivier Desdemona : Maggie Smith 1964 Iago : Frank Finlay 1964 1970-1971 1971 1971 , 1972 1972 1979 , 1980 1980 Director : John Dexter James Earl Jones Jack Good in Catch my Soul ( Rock musical version of Othello Bruce Purchase Iago ...
... Olivier Desdemona : Maggie Smith 1964 Iago : Frank Finlay 1964 1970-1971 1971 1971 , 1972 1972 1979 , 1980 1980 Director : John Dexter James Earl Jones Jack Good in Catch my Soul ( Rock musical version of Othello Bruce Purchase Iago ...
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... Olivier tried to make them overt , but as Charles Marowitz discovered when he made his adaptation , An Othello , Shakespeare has to be rewritten before they can be properly yielded up . John Barton , in his nineteenth - century military ...
... Olivier tried to make them overt , but as Charles Marowitz discovered when he made his adaptation , An Othello , Shakespeare has to be rewritten before they can be properly yielded up . John Barton , in his nineteenth - century military ...
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... Olivier's love had nothing of the idealizing romance and pathos of earlier Othellos - though he was not the first egoist - but it was none the less real for that . As Anikst observed , making the direct connection between love and ...
... Olivier's love had nothing of the idealizing romance and pathos of earlier Othellos - though he was not the first egoist - but it was none the less real for that . As Anikst observed , making the direct connection between love and ...
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... Olivier bluntly put it : ' it's tremendously , highly sexual because it's a black man . I'm sure Shakespeare meant there to be a great splash of shock . ' 61 But while it is right to recover their sense of shock , it would be wrong to ...
... Olivier bluntly put it : ' it's tremendously , highly sexual because it's a black man . I'm sure Shakespeare meant there to be a great splash of shock . ' 61 But while it is right to recover their sense of shock , it would be wrong to ...
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Common terms and phrases
acting actors Agate audience Barry Barton Beerbohm Tree Bell's edition Bianca Boaden Brabantio Cassio Cibber Colley Cibber Cook critic Cyprus Desdemona Drury Lane DUKE Edmund Kean Edwin Booth Ellen Terry EMILIA Enter Othello Exit eyes Fanny Kemble Fechter feeling Forrest Forster Garrick Gentleman gesture give GRATIANO hand handkerchief hath Hazlitt heart heaven Iago Iago's ibid Irving James Earl Jones jealousy John Jonathan Miller Kean Kean's Kemble Kemble's kiss Lewes LODOVICO look lord Macready Macready's Margaret Webster Mason Michael Bryant Montano Moor murder never nineteenth century noble NT Production Olivier Oscar Asche Ottley passion performance perhaps Peter Hall's play promptbook quoted Robeson Roderigo Rymer Salvini scene seems senators sense Shakespeare Siddons soul speak speech spoke Spranger Barry stage direction sword Theatre thee thing thou thought tion tragedy Tynan Variorum villain voice Webster whore wife words wrote
Popular passages
Page 174 - tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners; so that if we will plant nettles, or sow lettuce, set hyssop and weed up thyme, supply it with one gender of herbs, or distract it with many, either to have it sterile with idleness or manured with industry, why, the power and corrigible authority of this lies in our wills.
Page 162 - She'd come again, and with a greedy ear Devour up my discourse; which I observing, Took once a pliant hour; and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate...
Page 162 - scapes i' the imminent deadly breach ; Of being taken by the insolent foe, And sold to slavery; of my redemption thence, And portance in my travel's history : Wherein of antres vast, and deserts idle, Rough quarries, rocks, and hills, whose heads touch heaven, It was my hint to speak ; — such was the process \— And of the cannibals that each other eat. The Anthropophagi, and men whose heads Do grow beneath their shoulders.
Page 310 - It is the cause, it is the cause, my soul — Let me not name it to you, you chaste stars ! — It is the cause. Yet I'll not shed her blood; Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster.
Page 164 - I had a friend that loved her, I should but teach him how to tell my story, And that would woo her.
Page 158 - Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself. Yet, by your gracious patience, I will a round...
Page 336 - Speak of me as I am; nothing extenuate, Nor set down aught in malice: then must you speak Of one that...
Page 318 - If she come in, she'll sure speak to my wife : My wife ? my wife ? what wife ! I have no wife. O, insupportable ! O heavy hour ! Methinks it should be now a huge eclipse Of sun and moon, and that the affrighted globe Should yawn at alteration.
Page 336 - And say besides, that in Aleppo once, Where a malignant and a turban'd Turk Beat a Venetian and traduced the state, I took by the throat the circumcised dog, And smote him, thus.