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The Major Themes in Third Cinema
Revolutionary Films 21
Style and Ideology 411
7 other sections not shown
action aesthetic African cinema African filmmakers African films Alea Antonio das Mortes Antonioni's artist audience Bay of Pigs becomes bourgeois bourgeoisie Cabral Ceddo Chacal character Chile Chilean China Chinese films Cineaste Cinema Novo close-up codes colonial consciousness context countries Cuba Cuban film cultural Dior dominant East is Red economic Emitai example Film Quarterly film's filmic filmmakers Frantz Fanon Glauber Glauber Rocha Grave at Dimbaza Hadji historical Hollywood Ibid ideology imperialism individual instance interview Jean Rouch Jorge Sanjines language Last Grave Latin American liberation Lucia Marx Marxist masses meaning Memories of Underdevelopment Miguel Littin oppression Ousmane Sembene peasants Playa Giron political production Promised Land Rama reality relationship represents revolution revolutionary film Rocha role Rouch scene Sembene's Senegal Sergio shot social socialist society struggle symbols theme Third Cinema Third World Third World filmmakers Third World films Tomas Gutierrez Alea traditional viewer visual Western Wolof women Xala