Shakespearean Criticism, Volume 52Michelle Lee, Kathy D. Darrow Annotation For a convenient introduction to Shakespearean topics, plays and poems, start with this authoritative resource. Beginning with Volume 27, this illustrated series focuses on criticism published after 1960 and provides the reader with a thematic approach to Shakespeare's works. An introduction, criticism, annotated bibliography and cumulative index to topics help users organize their research, making diligent inquiry quick and easy. The series also offers an annual compilation of essays that represent the year's most noteworthy contributions to Shakespearean scholarship. |
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Results 1-3 of 55
Page 100
... object of his wrath . " But Lear's words make no distinction between the Dragon's wrath and Cord- elia , its object . And what this conflation of object and emotion seems to imply is that both are understood by Lear as his attributes ...
... object of his wrath . " But Lear's words make no distinction between the Dragon's wrath and Cord- elia , its object . And what this conflation of object and emotion seems to imply is that both are understood by Lear as his attributes ...
Page 235
... object of the gaze showing itself to the gaze ) as that which wants to be seen showing itself , and consequently sees in the hysterical symptom the “ will ” of the " other . " What is actually most " perverse " about this scene is not ...
... object of the gaze showing itself to the gaze ) as that which wants to be seen showing itself , and consequently sees in the hysterical symptom the “ will ” of the " other . " What is actually most " perverse " about this scene is not ...
Page 297
... object relationships and there- fore does not provide the psychoanalytic critic with his most accustomed concerns . Timon has no meaninful rela- tionships with the other characters . His beneficence and his misanthropy - the subjects of ...
... object relationships and there- fore does not provide the psychoanalytic critic with his most accustomed concerns . Timon has no meaninful rela- tionships with the other characters . His beneficence and his misanthropy - the subjects of ...
Contents
Morality in Shakespeares Works | 1 |
Richard II | 107 |
Richard III | 195 |
Copyright | |
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