A Jury of Her PeersAn unprecedented literary landmark: the first comprehensive history of American women writers from 1650 to the present. In a narrative of immense scope and fascination, here are more than 250 female writers, including the famous—Harriet Beecher Stowe, Dorothy Parker, Flannery O’Connor, and Toni Morrison, among others—and the little known, from the early American bestselling novelist Catherine Sedgwick to the Pulitzer Prize-winning playwright Susan Glaspell. Showalter integrates women’s contributions into our nation’s literary heritage with brilliance and flair, making the case for the unfairly overlooked and putting the overrated firmly in their place. |
From inside the book
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... Tradition and Change in American Women's Writing Inventing Herself: Claiming a Feminist Intellectual Heritage Hystories: Hysterical Epidemics and Modern Media Teaching Literature Faculty Towers: The Academic Novel and Its Discontents ...
... Tradition and Change in American Women's Writing Inventing Herself: Claiming a Feminist Intellectual Heritage Hystories: Hysterical Epidemics and Modern Media Teaching Literature Faculty Towers: The Academic Novel and Its Discontents ...
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... traditional and possibly male-defined standards as intellectual quality, imaginative force, originality, formal and technical mastery, and literary influence. Rather than risk creating hierarchies among women writers, judging them as ...
... traditional and possibly male-defined standards as intellectual quality, imaginative force, originality, formal and technical mastery, and literary influence. Rather than risk creating hierarchies among women writers, judging them as ...
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... Tradition. In this book, however, I tell a story of American women's writing with a beginning, middle, and end, and I make selections, distinctions, and judgments. In my view, the female tradition in American literature is not the result ...
... Tradition. In this book, however, I tell a story of American women's writing with a beginning, middle, and end, and I make selections, distinctions, and judgments. In my view, the female tradition in American literature is not the result ...
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... tradition;” second, “there is a phase of protest” against these modes, and “advocacy” of independent rights and values; and third, a phase of self-discovery a search for identity and a specific aesthetic. I called these phases in ...
... tradition;” second, “there is a phase of protest” against these modes, and “advocacy” of independent rights and values; and third, a phase of self-discovery a search for identity and a specific aesthetic. I called these phases in ...
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... tradition began with Bradstreet's heartfelt love poem to a husband who was a true partner and who enabled her to fulfill her poetic gifts. A Woman in Captivity—Mary Rowlandson Mary Rowlandson was forced into writing by extreme and ...
... tradition began with Bradstreet's heartfelt love poem to a husband who was a true partner and who enabled her to fulfill her poetic gifts. A Woman in Captivity—Mary Rowlandson Mary Rowlandson was forced into writing by extreme and ...
Contents
Finding a Form | |
Masterpieces and Mass Markets | |
Slavery Race and Womens Writing | |
The Civil | |
The Golden Morrow | |
Wharton and Cather | |
You Might as Well Live | |
The Great Depression | |
World War II and After | |
Three Faces of | |
Live or | |
The Will to Change | |
Other editions - View all
A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx Elaine Showalter No preview available - 2009 |
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