Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice and PerformanceA fascinating exploration of Renaissance theatre practice and staging, which relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. Plays discussed include 'The Duchess of Malfi'.Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today.This refreshingly accessible volume:* examines the history of the plays on the English stage from the seventeenth century to the present day* explores questions arising from reconstructions, with particular reference to the new Globe Theatre* includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren* includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-textsRenaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging. |
From inside the book
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Contents
approaching | 1 |
staging | 22 |
Speeches well pronounced with action lively | 58 |
outdoor playing spaces | 109 |
indoor playing spaces | 144 |
some comic irresolutions | 177 |
Renaissance drama | 197 |
New plays for old Richard Brome and Stephen | 217 |
Postscript | 233 |
245 | |
259 | |
Other editions - View all
Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice ... Martin White No preview available - 1998 |
Common terms and phrases
acting actor playing adaptation Alleyn Andrew Gurr Annabella Antonio audience audience's BEL-IMPERIA Blackfriars Bosola boys Bristol Brome's Burbage century characters comedy contemporary costume critics described director Domitia dramatists drawing Duchess of Malfi Edward Alleyn Elizabethan and Jacobean emblem emotional English Enter example exit experience Ferdinand galleries gesture Giovanni Globe Grotesque Gurr Hamlet Harriet Walter Henry Horatio indoor playhouses Jacobean drama Jacobean plays Jeffreys John Jonson King King's Men language laughter Lavinia light lines London Matthew Warchus Middleton modern observed onstage opening outdoor particular performance perhaps period Philip Massinger Phoenix physical playwrights Plot possible present presumably production Prologue prose references rehearsal Renaissance response rhetorical Richard role Roman Actor scene seems Shakespeare shifts space Spanish Tragedy speak specific spectators speech stage action stage direction Stephen Jeffreys style suggest Tamburlaine theatre practice theatrical Thomas thou Titus Andronicus Tragedy Trevor Nunn verse Webster words writing