Literary Culture and Female Authorship in Canada 1760-2000

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Rodopi, 2003 - Literary Criticism - 245 pages
"There are two ladies in the province, I am told, who read," writes Frances Brooke's Arabella Fermor, "but both are above fifty and are regarded as prodigies of erudition." Brooke's The History of Emily Montague (1769) was the first work of fiction to be set in Canada, and also the first book to reflect on the situation of the woman writer there. Her analysis of the experience of writing in Canada is continued by the five other writers considered in this study - Susanna Moodie, Sara Jeannette Duncan, L.M. Montgomery, Margaret Atwood and Carol Shields. All of these authors examine the social position of the woman of letters in Canada, the intellectual stimulation available to her, the literary possibilities of Canadian subject-matter, and the practical aspects of reading, writing, and publishing in a (post)colonial country.
This book turns on the ways in which those aspects of authorship and literary culture in Canada have been inscribed in imaginative, autobiographical and critical texts by the six authors. It traces the evolving situation of the Canadian woman writer over the course of two centuries, and explores the impact of social and cultural change on the experience of writing in Canada.
 

Contents

A daughter of the Muses Frances Brookes History of Emily Montague
3
Susanna Moodie and the sin of authorship
19
Sara Jeannette Duncan in the camp of the Philistines
49
Pure Canadian LM Montgomery and her Emily Trilogy
83
Influential Circles Carol Shields and the Canadian Literary Canon
117
Forest and fairy stuff Margaret Atwoods Wilderness Tips
137
Margaret Atwood Carol Shields and that Moodie bitch
169
Conclusion
207
Susanna Moodie and Catharine Parr Traill in Contemporary Canadian Literature
213
Works Cited
217
Index
233
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Page 4 - Where people wish to attach, they should always be ignorant To come with a well-informed mind, is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman, especially, if she have the misfortune of knowing any thing, should conceal it as well as she can.
Page 3 - The danger of pedantry and presumption in a woman, — of her exciting envy in one sex and jealousy in the other, — of her exchanging the graces of imagination for the severity and preciseness of a scholar, would be, I own, sufficient to frighten me from the ambition of seeing my girl remarkable for learning.
Page 4 - I early in life discovered, by the mere force of genius, that there were two characters only in which one might take a thousand little innocent freedoms, without being censured by a parcel of impertinent old women — those of a Bel Esprit and a Methodist ; and the latter not being in my style, I chose to set up for the former, in which I have had the happiness to succeed so much beyond my hopes, that the first question now asked amongst polite people, when a new piece comes out, is, " What does...

References to this book

Canadian Literature
Faye Hammill
No preview available - 2007