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CORYDON AND THYRSIS."

(SEE PLATE.)

THE beautiful scene depicted in our plate, illus trative of Milton, will be readily recognized as occurring in the "L'Allegro.” As we reproduced, in connection with the former print of this series, the first part of the incomparable poem, we can do no better, by way of explaining the peculiar grace and appositeness of the present plate, than to quote the latter part of the same poem.

"Straight mine eye hath caught new pleasures,
While the landscape round it measures,

Russet lawns, and fallows gray,
Where the nibbling flocks do stray,
Mountains on whose barren breast
The lab'ring cloud? de often rest;
Meadows trim with daisies pied,
Shallow brooks and rivers wide:
Towers and battlements it sees
Bosom'd high in tufted trees,
Where perhaps some beauty lies,

The Cynosure of neighb'ring eyes.

Hard by, a cottage chimney smokes,
From betwixt two aged oaks,
Where Corydon and Thyrsis, met,
Are at their savory dinner set
Of herbs, and other country messes,
Which the neat-handed Phyllis dresses,
And then in haste her bower she leaves,
With Thestylis to bind the sheaves;
Or, if the earlier season lead,
To the tann'd haycock in the mead.
Sometimes with secure delight
The upland hamlets will invite,
When the merry bells ring round,
And the jocund rebecs sound

young

To many a youth, and many a maid,
Dancing in the chequer'd shade;
And
and old come forth to play
On a sun shine holiday,
Till the live-long day light fail;
Then to the spicy nut brown ale,
With stories told of many a feat,

How fairy Mab the junkets eat,
She was pinch'd, and pull'd, she said,
And he, by friar's lantern led,
Tells how the drudging goblin sweat,

To earn his cream-bowl duly set,
When in one night, ere glimpse of morn,
His shadowy flail had thresh'd the corn,
That ten day-lab'rers could not end;
Then lies him down the labbar-fiend,
And stretch'd out all the chimney's length,
Basks at the fire his hairy strength,
And crop-full out of doors he filings,
Ere the first cock his matin rings.

Thus done the tales, to bed they creep,
By whisp'ring winds soon lull'd asleep.
Tower'd cities please us then;

And the busy hum of men,

Where throngs of knights and barons bold
In weeds of peace high triumphs hold,
With store of ladies, whose bright eyes
Rain influence, and judge the prize
Of wit, or arms, while both contend
To win her grace, whom all commend.
There let Hymen oft appear

In saffron robe, with taper clear,
And pomp, and feast, and revelry,
With mask and antique pageantry,
Such sights as youthful poets dream
On summer eves by haunted stream,
Then to the well-trod stage anon,
If Johnson's learned sock be on,
Or sweetest Shakspeare, Fancy's child,
Warble his native wood notes wild.
And ever, against eating cares,
Lap me in soft Lydian airs,
Married to immortal verse,

Such as the meeting soul may pierce,

In notes, with many a winding bout
Of linked sweetness long drawn out
With wanton heed, and giddy cunning,
The melting voice through mazes running,
Untwisting all the chains that tie
The hidden soul of harmony;

That Orpheus' self may heave his head
From golden slumber on a bed

Of heap'd Elysian flowers, and hear
Such strains as would have won the ear
Of Pluto, to have quite set free

His half-regain'd Eurydice.

These delights, if thou canst give, Mirth, with thee I mean to live."

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