HoraceBell, 1888 - 325 pages |
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Page 1
... character , him who delights : thus , DESIDERANTEM quod satis est . 3 Carm . i . 25 him who bounds his desire by a competency , Fulgentem imperio , 3 C. xvi . 31 , & c . ANTHON . 3 Because most of the commentators take sarculum for the ...
... character , him who delights : thus , DESIDERANTEM quod satis est . 3 Carm . i . 25 him who bounds his desire by a competency , Fulgentem imperio , 3 C. xvi . 31 , & c . ANTHON . 3 Because most of the commentators take sarculum for the ...
Page 8
... characters , or , if the expression may be allowed in a double character , such as a prince and a beggar , & c . FRANCIS . 38 See Orelli ; who regards this conclusion as merely jocular . ODE VII . TO MUNATIUS PLANCUS . OTHER poets shall ...
... characters , or , if the expression may be allowed in a double character , such as a prince and a beggar , & c . FRANCIS . 38 See Orelli ; who regards this conclusion as merely jocular . ODE VII . TO MUNATIUS PLANCUS . OTHER poets shall ...
Page 27
... character is thus drawn by Cicero : " Vir summo splendore , summâ gratiâ ; nullo prorsùs plùs Homine delector . " DAC . 18 When the poets intended to sing any thing extraordinary , they used to change the strings of their ' vres . DAC ...
... character is thus drawn by Cicero : " Vir summo splendore , summâ gratiâ ; nullo prorsùs plùs Homine delector . " DAC . 18 When the poets intended to sing any thing extraordinary , they used to change the strings of their ' vres . DAC ...
Page 62
... character Pollux , 10 by this " Literally , " the fasces . " 7 Literally , 66 a forbidden track . " 8 Julius Cæsar , according to Suetonius , had formed a design of trans- porting the seat of empire to Troy or Alexandria , after having ...
... character Pollux , 10 by this " Literally , " the fasces . " 7 Literally , 66 a forbidden track . " 8 Julius Cæsar , according to Suetonius , had formed a design of trans- porting the seat of empire to Troy or Alexandria , after having ...
Page 84
... character . Con- sult note on Ode ii . 19 , 29. The " horn , " was the symbol of power among all the eastern nations . See 1 Samuel ii . 1 ; Luke i . 69. ANTHON . 78 i . e . " never dissolving it . " Eurip . Hippol . 1147 , xápıtes ...
... character . Con- sult note on Ode ii . 19 , 29. The " horn , " was the symbol of power among all the eastern nations . See 1 Samuel ii . 1 ; Luke i . 69. ANTHON . 78 i . e . " never dissolving it . " Eurip . Hippol . 1147 , xápıtes ...
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Common terms and phrases
agreeable ancient ANTHON Apollo Aristippus Augustus Bacchus battle of Actium beauty better called Campus Martius celebrated Chimæra chorus Cicero comedy CRUQ Dacier death delight dread DUBL earth Edition Engravings Ennius EPISTLE Essays expression father Faunus favour fortune FRAN genius give gods Grecian Greek happy hath History honour Horace HURD imitation impious Italy Julius Cæsar Jupiter king labour Latin laugh laws lest live Lucanian lyre M'CAUL Mæcenas manner means Memoir mind muse nature Notes obliged Octavius ORELLI Parthians person Pirithous play poem poet poetry Portrait prætor praise rich Roman Rome sacred SATIRE says senate sesterces signifies sing slaves Stertinius Telephus temple thee thing thou Thracian Tiberius tion TORR tragedy Trans Translated Troy twelve tables Venus verses Virgil virtue vols WATSON whence wind wine Woodcuts woods words write youth
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