Othello: New Essays by Black WritersMythili Kaul The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Page 70
... symbolic language of Levantine tradition , a language that enters Western tradition in the allegory called " The Gospel of John , ” in the stories of The Arabian Nights , and , possibly , through Othello's handkerchief : The annulment ...
... symbolic language of Levantine tradition , a language that enters Western tradition in the allegory called " The Gospel of John , ” in the stories of The Arabian Nights , and , possibly , through Othello's handkerchief : The annulment ...
Page 73
... symbolic item that had sustained both his life and his life's meaning , as well as his bond with Desdemona . This is the “ recognition , ” in traditional dramatic theory , of the tragic hero's moral flaw . A reversal of fortunes always ...
... symbolic item that had sustained both his life and his life's meaning , as well as his bond with Desdemona . This is the “ recognition , ” in traditional dramatic theory , of the tragic hero's moral flaw . A reversal of fortunes always ...
Page 218
... symbolic background , 60 ; symbolic importance , 61 Hazlitt , William , 8 Hecatommithi , 57 hidden language , 46 Hill , Errol , 12 , 15 Himes , Chester , 122 Hodge , Robert , 141 homoerotica , 29–30 , 38–39 : in final scene , 40 ...
... symbolic background , 60 ; symbolic importance , 61 Hazlitt , William , 8 Hecatommithi , 57 hidden language , 46 Hill , Errol , 12 , 15 Himes , Chester , 122 Hodge , Robert , 141 homoerotica , 29–30 , 38–39 : in final scene , 40 ...
Contents
Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Copyright | |
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Aaron accepted action African Aldridge Aldridge's American argues audience Baraka beautiful becomes Bianca black actors black writers blackamoor blackface Brabantio Cassio century character Christian Cinthio's color Crabtree critics culture Cyprus daughter demona Desdemona discourse dramatic Duke Earle Hyman Elizabethan ello Emilia essay ethic father handkerchief hero human Iago Iago's Ira Aldridge Ishmael Reed jealousy killed lago lago's language Levantine Lodovico Lula marriage marry MARYSE CONDÉ Michael Cassio morality drama murder narrative nature Negro nigger noble Moor O. J. Simpson once Othello and Desdemona Paul Robeson performance play Othello Puttbutt race racial racism reading references relationship Roderigo role scene seduction seems semiotic sense sexual Shakespeare signifies Signoria of Venice slave soul speak speech stage story strategies suggests symbolic tells theater thee thing thou Tokson tradition tragedy tragic truth Turk Venetian white male white woman women words