A History of Post-war Soviet Writing: The Literature of Moral Opposition |
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Page 353
... Okudzhava . We heard his first songs in 1959 or 1960 , but only at friendly gatherings . The country at large still knew nothing of them . Okudzhava's first public performance was close to a disaster . The habitues of Moscow's Dom Kino ...
... Okudzhava . We heard his first songs in 1959 or 1960 , but only at friendly gatherings . The country at large still knew nothing of them . Okudzhava's first public performance was close to a disaster . The habitues of Moscow's Dom Kino ...
Page 354
... Okudzhava's lyrical verse : the confidential tone which seems to come from the author himself . The ideas behind Okudzhava's songs became more and more challeng- ing and the sense of their mystery more and more tragic and serious . They ...
... Okudzhava's lyrical verse : the confidential tone which seems to come from the author himself . The ideas behind Okudzhava's songs became more and more challeng- ing and the sense of their mystery more and more tragic and serious . They ...
Page 364
The Literature of Moral Opposition Grigoriĭ Svirskiĭ Robert Dessaix, Michael Ulman. Okudzhava out . Both Okudzhava and Galich are manifestations of one and the same lyrical " break - through " which was to transform the inner life of a ...
The Literature of Moral Opposition Grigoriĭ Svirskiĭ Robert Dessaix, Michael Ulman. Okudzhava out . Both Okudzhava and Galich are manifestations of one and the same lyrical " break - through " which was to transform the inner life of a ...
Contents
The State Starts an Avalanche | 11 |
V Panova Pardoned V | 41 |
The HatchetMen | 51 |
Copyright | |
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Alexander appeared asked attack attempt Babel became become began beginning called camps Central Committee character comes completely course critics death everything example eyes face fact fate feeling forced friends give given hands happened head hero idea killed kind later leave literary literature lived look manuscript means meeting moral Moscow Naturally never novel Novy official once Party passed peasant personality play poem poet poetry political position prison published question reader reason remember Russian samizdat sense sent side Solzhenitsyn someone songs Soviet speak Stalin standing started story suddenly suffering taken talented tells theme things thought took truth turned Union of Writers verse village voice wanted whole writers written wrote young