Julius Caesar |
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Page iii
... Characters and the Action . X. Shakespeare and Democracy XI . The Verse . XII . Questions for Study XIII . Books of Reference • JULIUS CÆSAR NOTES · EXTRACTS FROM PLUTARCH . INDEX TO NOTES . xxix xxix xxxii • xxxiii xxxvi xl xlvii ...
... Characters and the Action . X. Shakespeare and Democracy XI . The Verse . XII . Questions for Study XIII . Books of Reference • JULIUS CÆSAR NOTES · EXTRACTS FROM PLUTARCH . INDEX TO NOTES . xxix xxix xxxii • xxxiii xxxvi xl xlvii ...
Page viii
... characters speak of himself and the playmate of his early days as " Two lads that thought there was no more behind But such a day to - morrow as to - day , And to be boy eternal . * * * * * We were as twinn'd lambs that did frisk i ...
... characters speak of himself and the playmate of his early days as " Two lads that thought there was no more behind But such a day to - morrow as to - day , And to be boy eternal . * * * * * We were as twinn'd lambs that did frisk i ...
Page xvii
... characters find themselves at the opening of the drama . While giving us this infor- mation , the persons before us are ... character of the hero and the special circumstances in which he is placed . He makes a strenuous effort to accom ...
... characters find themselves at the opening of the drama . While giving us this infor- mation , the persons before us are ... character of the hero and the special circumstances in which he is placed . He makes a strenuous effort to accom ...
Page xx
... characters and circumstances are so put before us early in the play as to indicate in a general way what the outcome is to be ; and then the mighty masterpiece moves steadily on to its inevit- able end . IV . THE STAGE OF SHAKESPEARE'S ...
... characters and circumstances are so put before us early in the play as to indicate in a general way what the outcome is to be ; and then the mighty masterpiece moves steadily on to its inevit- able end . IV . THE STAGE OF SHAKESPEARE'S ...
Page xxii
... characters themselves give directions for carrying off the dead . The front stage usually had little or no scenery . It could represent any open place . As soon as one scene was com- pleted by the going off of the characters a new set ...
... characters themselves give directions for carrying off the dead . The front stage usually had little or no scenery . It could represent any open place . As soon as one scene was com- pleted by the going off of the characters a new set ...
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Common terms and phrases
adjective Artemidorus back stage battle bear blood Brutus and Cassius Brutus's Cade Cæs Caesar Caius called Calpurnia Capitol Casca Cassius Cato character Cicero Cimber Cinna common conspiracy conspirators danger Decius Brutus doth drama Elizabethan enemies English Enter Exeunt Exit fear feast of Lupercal fire Folio Fourth Cit friends funeral give gods hand hath hear heart honour humour ides of March incident Julius Cæsar Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony market-place meaning Messala Metellus mind night noble Octavius Philippi Pindarus play Plutarch poet Pompey Pompey's Portia present Roman Rome scene seems Senate Shake Shakespeare slain Soothsayer speak speech Strato sword syllable tell theater thee thing Third Cit thou art thought Titinius to-day transferred epithet Trebonius unto verb verse Volumnius William Shakespeare word