Julius CaesarSpevack emphasizes the complexity of Julius Caesar's seemingly straightforward theatrical experience to focus on the inextricability of private desires and public affairs. The play's stage history supports the work's rich design, and Spevack's commentary is remarkably attentive to questions of production, precise lexical glossing, and the peculiarities of Shakespearean grammar. An extensive appendix, provides lengthy, coherent excerpts from Plutarch's Lives, Shakepeare's main source include images of Caesar from the Renaissance onwards as well as photographs of modern productions and reconstructions of likely Elizbethan stagings of Caesar's entry into Rome, his assassination, Anthony's funeral oration, and the Act 4 meeting between Brutus and Cassius. |
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Contents
Introduction | 1 |
Sources | 6 |
The play | 13 |
The frame | 14 |
Structure | 15 |
Theme | 23 |
Persons and Politics | 27 |
Julius Caesar on the stage | 31 |
Note on the text | 46 |
Note on the Commentary | 47 |
List of characters | 50 |
THE PLAY | 52 |
Textual analysis | 148 |
Excerpts from Plutarch | 154 |
Reading list | |
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Common terms and phrases
Abbott action answered Antony appearance army attempt battle bear blood body brought Brutus Brutus's called Capell Capitol Casca Cassius cause characters Cinna Collier coming common conj conspirators danger death edited Elizabethan enemies Enter evidence Exit fall fear follow friends gave give gods hand hath head hear heart honour instance John Johnson Julius Caesar King live look lord Lucius March Mark matter means meet Messala mind nature never night noble notes Octavius perhaps person play PLEBEIAN Plutarch Pope Portia present reason reference Roman Rome Rowe Scene Senate sense Shakespeare side soldiers Sources speak speech spirit stage stand Steevens sword tell thee Theobald things Thomas Johnson thou thought Titinius took Tragedies turn unto