The Plays of William Shakespeare: The tragediesCassell, Petter & Galpin, 1865 |
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Page v
... MACBETH CONTENTS . HAMLET , PRINCE OF DENMARK . KING LEAR .. OTHELLO , THE MOOR OF VENICE . ANTONY AND CLEOPATRA CYMBELINE . PERICLES PAGE I 65 141 205 261 317 373 457 533 601 673 749 ERRATA . " Measure for Measure . " - Note.
... MACBETH CONTENTS . HAMLET , PRINCE OF DENMARK . KING LEAR .. OTHELLO , THE MOOR OF VENICE . ANTONY AND CLEOPATRA CYMBELINE . PERICLES PAGE I 65 141 205 261 317 373 457 533 601 673 749 ERRATA . " Measure for Measure . " - Note.
Page xi
... Macbeth , " back through Note 85 , Act iii . , " Coriolanus ; " Note 60 , Act ii . , " Henry V .; " Note 11 , Act v . , " King John ; " to 62 , Act iii . , " King John , " where our view of Shakespeare's special use of this word is ...
... Macbeth , " back through Note 85 , Act iii . , " Coriolanus ; " Note 60 , Act ii . , " Henry V .; " Note 11 , Act v . , " King John ; " to 62 , Act iii . , " King John , " where our view of Shakespeare's special use of this word is ...
Page xii
... Macbeth ; " Note 27 , Act v . , " Hamlet ; " Note 56 , Act v . , " Antony and Cleopatra " ) ; and , above all , that perfectly new particular , never before adverted to in any edition of Shakespeare , his very peculiar system of ...
... Macbeth ; " Note 27 , Act v . , " Hamlet ; " Note 56 , Act v . , " Antony and Cleopatra " ) ; and , above all , that perfectly new particular , never before adverted to in any edition of Shakespeare , his very peculiar system of ...
Page xiii
... Macbeth " ) , and his singular faculty of producing perfect impression through imperfect expression ( see Note 85 , Act ii . , " Coriolanus ; " Notes 5 and 31 , Act iv . , " Othello ; " Notes 76 , Act iv .; 88 , Act v . , " Cymbeline ...
... Macbeth " ) , and his singular faculty of producing perfect impression through imperfect expression ( see Note 85 , Act ii . , " Coriolanus ; " Notes 5 and 31 , Act iv . , " Othello ; " Notes 76 , Act iv .; 88 , Act v . , " Cymbeline ...
Page 114
... Macbeth , " Act ii . , sc . 3 ) it is given in the usual form of " exposure . " " 12. Lose advantage , which doth ever cool i the absence of the needer . The employment of the word " needer " in this passage affords an example of ...
... Macbeth , " Act ii . , sc . 3 ) it is given in the usual form of " exposure . " " 12. Lose advantage , which doth ever cool i the absence of the needer . The employment of the word " needer " in this passage affords an example of ...
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Common terms and phrases
Achilles Ajax allusion Antony Apem bear blood Brutus Casca Cassio Cleo Coriolanus Cres death Desdemona dost doth elliptically understood Enter Exeunt Exit express eyes father fear Folio prints fool friends gods Hamlet hand hath hear heart heaven Hector Henry IV honour Iago Julius Cæsar Kent King lady Lear look lord Love's Labour's Lost Macb Macbeth Macd madam Marcius means Merchant of Venice misprint nature noble Note Othello passage referred phrase play pray present passage Quartos Queen Richard III Rome Romeo and Juliet SCENE Second Part Henry sense sentence Serv Servant Shake Shakespeare signifying speak speech stand sweet sword tell thee there's thine thou art thou hast Timon of Athens Troilus and Cressida Twelfth Night Ulyss Winter's Tale word