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BINARY AND TERNARY FORMS
LESS COMMON CHORD PROGRESSIONS
APPLICATION OF PARTWRITING PROCEDURES
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accompaniment Allegro altered altered chords analysis Andante Assignment augmented sixth chords augmented triad Bach bass Beethoven cadence century Chapter chorale chromatic complete composers composition considered containing diatonic diminished seventh chord direct doubled effect example excerpts Exercise fifth Figure four fourth function G major given Group half step harmonic identified illustrated indicated interval inversion iv7G ivd7 keyboard lowered major key materials measures melodic line melody minor key modulation movement Mozart ninth non-harmonic tones normal Number octave original part-writing period phrase pitch pivot chord Play position possible preceding presented procedures produce progression Range resolution resolves result root scale step second movement secondary dominant chords sequence shown shows Sing Songs sonority soprano sound spelled structure style succession symbols Table tenor third tonic triad usually voice writing written