Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
From inside the book
Results 1-3 of 52
Page 63
For “ Just Like a Woman , ” such a spectrum would stretch from the discursive
sense of the lyrics , at the far “ words ” end , to the instruments that mark rhythm -
one guitar in 1974 and the band with regular drums , piano , and guitars in 1966
...
For “ Just Like a Woman , ” such a spectrum would stretch from the discursive
sense of the lyrics , at the far “ words ” end , to the instruments that mark rhythm -
one guitar in 1974 and the band with regular drums , piano , and guitars in 1966
...
Page 80
A spectrum for analysis of the 1965 studio version of “ Like a Rolling Stone ”
would go : sense of lyrics . . . . . . sound of lyrics , as on the page . . . . . . vocal
effects . . . . . . instrumentation . Although still not as sequential as a poem would
be ...
A spectrum for analysis of the 1965 studio version of “ Like a Rolling Stone ”
would go : sense of lyrics . . . . . . sound of lyrics , as on the page . . . . . . vocal
effects . . . . . . instrumentation . Although still not as sequential as a poem would
be ...
Page 132
At the far “ words ” end is the sense of the lyrics , spat out in barely coherent
bursts of paranoia and futility : sense of words . . . . . . . sound of words ( esp .
rhyme ) . . . . . . vocal effects ( esp . voice - forced rhyme ) . . . . . . harmonica and
electric ...
At the far “ words ” end is the sense of the lyrics , spat out in barely coherent
bursts of paranoia and futility : sense of words . . . . . . . sound of words ( esp .
rhyme ) . . . . . . vocal effects ( esp . voice - forced rhyme ) . . . . . . harmonica and
electric ...
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Contents
Causes | 4 |
Texts and Recording Information | 183 |
Dylans Albums Arranged | 207 |
Copyright | |
1 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic ain't album alliteration appear artistic audience Babe Baby beat becomes begins Blues Bob Dylan breaks chords closing comes concert continues contrast couplet create culture drums Dylan Dylan's voice effect emotional example eyes fall feel female final follow four fourth give guitar hard harmonica Idiot Wind imagery instrumental Isis it's John lady lead leave less listener Lonely looking mark meaning measures Miss move narrator narrator's never notes opening opposition organ outtake patterns performance phrase pitch plays poetic rain recorded refer refrain released repeated response rhyme rock Rolling Stone sad-eyed scene seems sense Shelter shift Side sings song song's sound stands stanza studio suggests sung tell third throughout understand verse vocal voice Warner Bros woman words York
Bibliographic information
| Title | Performed Literature: Words and Music by Bob Dylan |
| Authors | Betsy Bowden, Bob Dylan |
| Photographs by | Bob Dylan |
| Publisher | Indiana University Press, 1982 |
| Original from | the University of Michigan |
| Digitized | 11 May 2010 |
| ISBN | 025334347X, 9780253343475 |
| Length | 239 pages |
| Export Citation | BiBTeX EndNote RefMan |