Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page 35
... chords and a fourth ascending one . A louder organ arpeggio coordi- nates with the drum lead - in to each " warehouse " line . And following every stanza , the organ plays a brief melody sandwiched between two longer - held chords ...
... chords and a fourth ascending one . A louder organ arpeggio coordi- nates with the drum lead - in to each " warehouse " line . And following every stanza , the organ plays a brief melody sandwiched between two longer - held chords ...
Page 48
... chord on the same piano that has played low chords throughout , and the not - quite - stilled bells . The uneasiness created by unaccustomed and unpredictable in- strumentation affects the listener's understanding of the narrative . The ...
... chord on the same piano that has played low chords throughout , and the not - quite - stilled bells . The uneasiness created by unaccustomed and unpredictable in- strumentation affects the listener's understanding of the narrative . The ...
Page 97
... chords . Stanza by stanza this interlude after B lines becomes louder and louder , until the piano reaches its loudest and most excited passage after the fourth - stanza “ got it made . ” After the next couplet , though , the chords are ...
... chords . Stanza by stanza this interlude after B lines becomes louder and louder , until the piano reaches its loudest and most excited passage after the fourth - stanza “ got it made . ” After the next couplet , though , the chords are ...
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Common terms and phrases
ABCB aesthetic ain't Al Kooper album artistic audience aural Babe Baby Ballad bass Beatles becomes Blonde on Blonde Bob Dylan chord change couplet culture drums Dylan's songs Dylan's voice effect electric guitar emotional feel female Ferry's Folklore four fourth stanza Freewheelin give you shelter Hard Rain hard rain's a-gonna harmonica Highway 61 Revisited Idiot Wind Idiot wind Blowing imagery imitate inflections instrumental break Isis John Wesley Harding listener listener's melody meter Miss Lonely musical beat musicians narrator narrator's oral organ chords outtake Oxford Town performance phrase piano pitch plays poetic rain's a-gonna fall recorded refrain released Retrospective rhyme word riff rock rock music Rolling Stone sad-eyed lady scene second stanza shift sings someone song's sound stanza studio version Subterranean Homesick Blues suggests sung lines sweet lady syllables tape textual third stanza tion verse vocal woman Woody Guthrie words and music York