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" This is why its ultimate significance cannot be grasped in the analysis either of the technique of its composition or of the diverse historical sources of its social concepts, motifs, and themes. For a song about fighting is not the same thing as fighting... "
Voices in the Shadows: Women and Verbal Art in Serbia and Bosnia - Page 20
by Celia Hawkesworth - 2000 - 281 pages
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Listening to Homer: Tradition, Narrative, and Audience

Ruth Scodel - History - 2002 - 235 pages
...completely different matter.7 As Koljevic' says of Serbian epic, "the oral epic singing at its best was both a way of coming to terms with history and a means of getting out of it."8 Audiences need not share the basileus within the history of Greek kingship, see Carlier 1984, 185-230....
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