Eliot in Perspective: A SymposiumGraham Martin |
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Page 27
... relation of which I speak , we do not imitate him . . . . This relation is a feeling of profound kinship , or rather of peculiar personal intimacy , with another , probably a dead author . . . and when a young writer is seized with his ...
... relation of which I speak , we do not imitate him . . . . This relation is a feeling of profound kinship , or rather of peculiar personal intimacy , with another , probably a dead author . . . and when a young writer is seized with his ...
Page 132
A Symposium Graham Martin. Four Quartets : the structure in relation to the themes HAROLD F. BROOKS I Four Quartets , to my mind , stands in little need of revaluation : there is nothing revolutionary about the ... relation to the themes.
A Symposium Graham Martin. Four Quartets : the structure in relation to the themes HAROLD F. BROOKS I Four Quartets , to my mind , stands in little need of revaluation : there is nothing revolutionary about the ... relation to the themes.
Page 203
... relation to which ... individual works of literary art , and the works of individual artists , have their ... relations , proportions , values of each work of art toward the whole are read- justed ; and this is conformity between the old ...
... relation to which ... individual works of literary art , and the works of individual artists , have their ... relations , proportions , values of each work of art toward the whole are read- justed ; and this is conformity between the old ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing