Eliot in Perspective: A SymposiumGraham Martin |
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Page 127
... poetry , of the poetic languages he developed to express his new con- victions . J. Hillis Miller's recent discussion of Eliot's work in Poets of Reality ( pp . 131-89 ) throws a good deal of light on this development . Starting from ...
... poetry , of the poetic languages he developed to express his new con- victions . J. Hillis Miller's recent discussion of Eliot's work in Poets of Reality ( pp . 131-89 ) throws a good deal of light on this development . Starting from ...
Page 269
... Poetry and the Use of Criticism ; some para- graphs in the first chapter of Notes towards the Definition of Culture ( 1948 ) . From these pieces , together with scattered remarks to be found elsewhere , we can see that Eliot's criticism ...
... Poetry and the Use of Criticism ; some para- graphs in the first chapter of Notes towards the Definition of Culture ( 1948 ) . From these pieces , together with scattered remarks to be found elsewhere , we can see that Eliot's criticism ...
Page 273
... poet . He continued to write poetry , but it was in the margins of his other work - his conception of the role of the poet in his age he found himself unable to fulfil . He seemed able to offer only a ' zest to our melancholy and a ...
... poet . He continued to write poetry , but it was in the margins of his other work - his conception of the role of the poet in his age he found himself unable to fulfil . He seemed able to offer only a ' zest to our melancholy and a ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing