Eliot in Perspective: A SymposiumGraham Martin |
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Page 75
... poet left out ; and he supplied them by making up a story about a love - affair between Pipit , the central figure in the poem , and the narrator . That is to say , he treated the poem , not after all as a symbolist poem or a poem in ...
... poet left out ; and he supplied them by making up a story about a love - affair between Pipit , the central figure in the poem , and the narrator . That is to say , he treated the poem , not after all as a symbolist poem or a poem in ...
Page 200
... poetic inspiration - ' I should call it a secretion ' ( UPUC p . 144 ) ; and later still ( 1953 ) he said that the poet is oppressed during composition ' by a burden which he must bring to birth in order to obtain relief from acute ...
... poetic inspiration - ' I should call it a secretion ' ( UPUC p . 144 ) ; and later still ( 1953 ) he said that the poet is oppressed during composition ' by a burden which he must bring to birth in order to obtain relief from acute ...
Page 273
... poets , whose pens have been guided by Nature , but for those who , like Jonson , ' created his own world ' , 11 and Shakespeare , who ' was occupied with the struggle - which alone constitutes life for a poet - to transmute his ...
... poets , whose pens have been guided by Nature , but for those who , like Jonson , ' created his own world ' , 11 and Shakespeare , who ' was occupied with the struggle - which alone constitutes life for a poet - to transmute his ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing