Eliot in Perspective: A SymposiumGraham Martin |
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Page 150
... plays is , indeed , one of the as yet unanswerable questions with which future criticism must be concerned . It is already clear from E. Martin Browne's illuminating accounts of his share in the plays ( especially from The Making of a Play ...
... plays is , indeed , one of the as yet unanswerable questions with which future criticism must be concerned . It is already clear from E. Martin Browne's illuminating accounts of his share in the plays ( especially from The Making of a Play ...
Page 157
... play worked in the Chapter House at Canterbury , he implies , because it was not really trying to be a play there : the film version ' made the meaning clearer , and in that way is nearer to what the play would have been , had it been ...
... play worked in the Chapter House at Canterbury , he implies , because it was not really trying to be a play there : the film version ' made the meaning clearer , and in that way is nearer to what the play would have been , had it been ...
Page 160
... play in an interesting way with the spotlight in Play which indicates to its victims the possi- bility that they are being ' seen ' . The claustrophobic Wishwood interior , menaced by mysterious visitants , has , indeed , become a ...
... play in an interesting way with the spotlight in Play which indicates to its victims the possi- bility that they are being ' seen ' . The claustrophobic Wishwood interior , menaced by mysterious visitants , has , indeed , become a ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing