Eliot in Perspective: A SymposiumGraham Martin |
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Page 71
... nature or impose on nature , in order to understand it , are ( it now appears ) linguistic categories . The speaker of English and the speaker of Chinese will not merely arrange nature differently in order to speak of it , but will ...
... nature or impose on nature , in order to understand it , are ( it now appears ) linguistic categories . The speaker of English and the speaker of Chinese will not merely arrange nature differently in order to speak of it , but will ...
Page 80
... nature until she provides what he wants . Knowing the state of mind he wants to express , he can construct the landscape he wants , so as to make it correspond . And with that recognition comes another : being thus free of nature's ...
... nature until she provides what he wants . Knowing the state of mind he wants to express , he can construct the landscape he wants , so as to make it correspond . And with that recognition comes another : being thus free of nature's ...
Page 141
... nature as alien , even hostile . A man's unconscious and biological life with its heritage of imperfectly tamed instincts , its cargo of original sin ( ' the bite in the apple ' ) , is part of this impersonal , alien , objective nature ...
... nature as alien , even hostile . A man's unconscious and biological life with its heritage of imperfectly tamed instincts , its cargo of original sin ( ' the bite in the apple ' ) , is part of this impersonal , alien , objective nature ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing