Eliot in Perspective: A SymposiumGraham Martin |
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Page 66
... move , music moves Only in time ; but that which is only living Can only die . Words , after speech , reach Into the silence . Only by the form , the pattern , Can words or music reach The stillness , as a Chinese jar still Moves ...
... move , music moves Only in time ; but that which is only living Can only die . Words , after speech , reach Into the silence . Only by the form , the pattern , Can words or music reach The stillness , as a Chinese jar still Moves ...
Page 67
... move , music moves Only in time . - Unlike ' What might have been and what has been / Point to one end , which is always present ' , the statement ' Words move , music moves / Only in time ' does not just sound as if it made sense ; it ...
... move , music moves Only in time . - Unlike ' What might have been and what has been / Point to one end , which is always present ' , the statement ' Words move , music moves / Only in time ' does not just sound as if it made sense ; it ...
Page 154
... move . That this explosion was to take the form of murder , real or ' acted out ' is shown in early drafts of the play.12 As the action stands , all the detail points to a slow moving together of Doris , the predestined victim , who has ...
... move . That this explosion was to take the form of murder , real or ' acted out ' is shown in early drafts of the play.12 As the action stands , all the detail points to a slow moving together of Doris , the predestined victim , who has ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing