Eliot in Perspective: A SymposiumGraham Martin |
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Page 54
... lines , yet they dominate his early work in their import , style and tone . The first line gives the basis of action for ' Prufrock ' . The second and third lines set the emotional reaction . The fourth is central to the meaning of both ...
... lines , yet they dominate his early work in their import , style and tone . The first line gives the basis of action for ' Prufrock ' . The second and third lines set the emotional reaction . The fourth is central to the meaning of both ...
Page 65
... lines mean , as a proposition in a treatise , is flying in the face of just what the poet tells him a few lines later : that his labour is wasted , that meaning of that sort isn't there . Yet the warning goes unheeded ; the devout ...
... lines mean , as a proposition in a treatise , is flying in the face of just what the poet tells him a few lines later : that his labour is wasted , that meaning of that sort isn't there . Yet the warning goes unheeded ; the devout ...
Page 104
... lines like In the mountains , there you feel free . I read , much of the night , and go south in the winter . Far from setting a ' double happiness ' against his present discontent , it seems likely that the woman's recollections ...
... lines like In the mountains , there you feel free . I read , much of the night , and go south in the winter . Far from setting a ' double happiness ' against his present discontent , it seems likely that the woman's recollections ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing