Eliot in Perspective: A SymposiumGraham Martin |
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Page 115
... feeling , a blend of high spirits , harsh mockery , malevolence , indifference , while the later cases are simpler , more homogeneous , easier to identify ( though harder to describe ) . From an initially complex weave of meaning one or ...
... feeling , a blend of high spirits , harsh mockery , malevolence , indifference , while the later cases are simpler , more homogeneous , easier to identify ( though harder to describe ) . From an initially complex weave of meaning one or ...
Page 128
... feelings of exclusion ' from absolute experience ' pointless . Eliot specifically categorises the longing for the Absolute as delusive ( KE p . 202 ) , so that feeling ' pathos ' about it is exactly on a level with feeling exalted , or ...
... feelings of exclusion ' from absolute experience ' pointless . Eliot specifically categorises the longing for the Absolute as delusive ( KE p . 202 ) , so that feeling ' pathos ' about it is exactly on a level with feeling exalted , or ...
Page 175
... Feeling is , as we have seen , unstable . In Idealist terminology , it is ' self - transcendent ' ( KE p . 21 ) . Being neither ' complete nor satis- factory ' in itself , it breaks up and develops into ' an articulate whole of terms ...
... Feeling is , as we have seen , unstable . In Idealist terminology , it is ' self - transcendent ' ( KE p . 21 ) . Being neither ' complete nor satis- factory ' in itself , it breaks up and develops into ' an articulate whole of terms ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing