Eliot in Perspective: A SymposiumGraham Martin |
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Page 129
... existence.14 Thus , we may contrast with the ' familiar compound ghost ' of ' Little Gidding ' , whose time and culture remain distinct from the poet's , the voices echoing through The Waste Land . Here there is no real past to be set ...
... existence.14 Thus , we may contrast with the ' familiar compound ghost ' of ' Little Gidding ' , whose time and culture remain distinct from the poet's , the voices echoing through The Waste Land . Here there is no real past to be set ...
Page 181
... existence or non - existence of objects , or of when we do and when we do not have knowledge , does for Eliot at least mark the site of a real problem : a problem that is better discussed , he maintains , in the familiar Bradleian terms ...
... existence or non - existence of objects , or of when we do and when we do not have knowledge , does for Eliot at least mark the site of a real problem : a problem that is better discussed , he maintains , in the familiar Bradleian terms ...
Page 289
... existence of two classes of people : the producers and the consumers of culture the existence of men who can create new thought and new art ( with middlemen who can teach the consumers to like it ) and the existence of a cultivated ...
... existence of two classes of people : the producers and the consumers of culture the existence of men who can create new thought and new art ( with middlemen who can teach the consumers to like it ) and the existence of a cultivated ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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Common terms and phrases
Action Française allusion appear argument Arnold artistic Babbitt Baudelaire become belief Bradley's Burbank Burnt Norton Christian Society Church commentaries Communism concept conscious context Criterion criticism culture discussion dramatic East Coker Eliot's Poetry emotion English essay existence Ezra Pound F. H. Bradley F. O. Matthiessen F. R. Leavis F. W. BATESON fact feeling Four Quartets Gerontion Grover Smith human idea imagery Immediate Experience impersonal kind Laforgue Laforgue's language later laughter lines literary literature Little Gidding living Maurras meaning metaphysical mind modern movement nature object passage perhaps philosophy play poem poem's poet poetic point of view political position problem prose Prufrock question reader reality reference relation religion religious seems sense significant social spiritual structure suggests Sweeney symbolic symbolist T. S. Eliot theme theory thought tion Tiresias tone tradition verse Waste Land whole words writing