Eliot in Perspective: A SymposiumGraham Martin |
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Page 188
... emotion is immediately evoked . ( SW p . 92 ) It will be appreciated that this critical theory derives from Eliot's account of the objectivity of emotions taken in the first of the senses I indicated : that is , that according to which ...
... emotion is immediately evoked . ( SW p . 92 ) It will be appreciated that this critical theory derives from Eliot's account of the objectivity of emotions taken in the first of the senses I indicated : that is , that according to which ...
Page 201
... emotions of life : " The end of the enjoyment of poetry is a pure contemplation from which all the accidents of personal emotion are removed . . . ' ( SW pp . 14-15 ) ; and the critic should have ' no emotions except those immediately ...
... emotions of life : " The end of the enjoyment of poetry is a pure contemplation from which all the accidents of personal emotion are removed . . . ' ( SW pp . 14-15 ) ; and the critic should have ' no emotions except those immediately ...
Page 276
... emotion - none . - It is last stage of all – - When we are frozen up within , and quite The phantom of ourselves , To hear the world applaud the hollow ghost Which blamed the living man . At the heart of the poem is the inability to ...
... emotion - none . - It is last stage of all – - When we are frozen up within , and quite The phantom of ourselves , To hear the world applaud the hollow ghost Which blamed the living man . At the heart of the poem is the inability to ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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achievement already American appear argument Arnold become beginning belief Bradley called Christian Church Communism complete concept conscious context continuity course criticism culture discussion early effect emotion English essay example existence experience expression fact feeling final Four Quartets gives human idea important individual influence interest kind Laforgue language later less lines literary literature living look matter Maurras meaning mind move movement nature never object offered once original particular passage perhaps philosophy play poem poet poetic poetry point of view political position possible present problem question reader reality reference relation religion religious seems seen sense significant social society spiritual structure suggests T. S. Eliot taken theory things thought Tiresias tradition turn Waste Land whole writing