Eliot in Perspective: A SymposiumGraham Martin |
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Page 283
... Culture cannot altogether be brought to consciousness ; and the culture of which we are wholly conscious is never the whole of culture ' ( pp . 94 , 107 ) . In his introduction , Eliot quotes a passage which includes under the culture ...
... Culture cannot altogether be brought to consciousness ; and the culture of which we are wholly conscious is never the whole of culture ' ( pp . 94 , 107 ) . In his introduction , Eliot quotes a passage which includes under the culture ...
Page 285
... culture , in contrast , forces a wedge between these two aspects . For him , consciousness and unconsciousness are qualities of different social groups within the culture : the minority fosters conscious values and transmits them ...
... culture , in contrast , forces a wedge between these two aspects . For him , consciousness and unconsciousness are qualities of different social groups within the culture : the minority fosters conscious values and transmits them ...
Page 289
... culture culture as arts while discussing the relations between classes that these questions are not raised , and his interchangeable use of ' class ' and ' group ' is sympto- matic of this weakness . The complex , institutional reality ...
... culture culture as arts while discussing the relations between classes that these questions are not raised , and his interchangeable use of ' class ' and ' group ' is sympto- matic of this weakness . The complex , institutional reality ...
Contents
F W BATESON The Poetry of Learning | 31 |
FRANCIS SCARFE Eliot and Nineteenthcentury | 45 |
a distinction | 62 |
Copyright | |
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Common terms and phrases
Action Française allusion appear argument Arnold artistic Babbitt Baudelaire become belief Bradley's Burbank Burnt Norton Christian Society Church commentaries Communism concept conscious context Criterion criticism culture discussion dramatic East Coker Eliot's Poetry emotion English essay existence Ezra Pound F. H. Bradley F. O. Matthiessen F. R. Leavis F. W. BATESON fact feeling Four Quartets Gerontion Grover Smith human idea imagery Immediate Experience impersonal kind Laforgue Laforgue's language later laughter lines literary literature Little Gidding living Maurras meaning metaphysical mind modern movement nature object passage perhaps philosophy play poem poem's poet poetic point of view political position problem prose Prufrock question reader reality reference relation religion religious seems sense significant social spiritual structure suggests Sweeney symbolic symbolist T. S. Eliot theme theory thought tion Tiresias tone tradition verse Waste Land whole words writing